These workshops, which I ran for the first time in 2020, were the best thing I did last year. I got to know and work with some lovely people, who joined in with the writing exercises, discussion of the readings and artists we looked at each week. We got to know each other over the eight weeks, and it was great fun, so I’m doing it again, once more via Zoom.
Designed to see us through the dark nights of November and December, each week there will be a different theme. We’ll explore different genres of writing, writing exercises, discussion, opportunities for reading and feedback of each other’s work and more.
Even though we are a year on, and society has opened up, many of us will still be staying inside, socially distancing and looking for community, as we move through the last quarter of another challenging year. I know I will be, which is partly why I thought this might appeal to people who would normally get together around a table in a cafe or pub, to share ideas about writing and try things out.
I can’t run workshops like this at the moment, which is how I normally do it – and how I would prefer to meet everyone. The joy of offering workshops online is that we can still meet up and do the writing and have the fun, and we can do it from wherever we are in the world – which is amazing.
The idea behind the ‘Winter Warmer’ aspect is to take us through these dark, damp nights, with reading, writing and discussion to keep us going. Creative prompts and thinking to inspire us to write. All of which will take place around our own virtual fire, where we can share stories and have a laugh together.
Each week is a 90 minute workshop, with a presentation, writing exercises, time for feedback and discussion. All in a friendly virtual space on Zoom.
Designed for keen writers working at all levels, we will try out all kinds of writing in a constructive and supportive atmosphere. You will also have a chance to send me a piece of your work, generated from the workshop each week, for written feedback, if you would like to do so.
Early bird booking price of 90 Euro / £80 until 10th October
Full price after that is 140 Euro / £120
8 weekly sessions via Zoom on Monday evenings from 7.30pm – 9pm
1st / 8th / 15th / 22nd / 29th November
6th / 13th / 20th December
Email me to book or for further information:
Winter Warmer Workshop 2020 Testimonials
“Absolutely breath-taking journey into a world of places and people that I’d never heard of before.” Maggie
“I loved the source materials and how they all linked in, they really resonated with me. So much there to consider.” Danielle
“After doing your course I want to focus more on poetry, as you have really encouraged me to take my poetry further. Thank you.” Louise
“I enjoyed meeting other writers and hearing the work they read out as well as their comments and thoughts.” Janet
It is the Urban Tree Festival this weekend – celebrating London’s amazing Urban Forest. While we celebrate our wonderful leafy friends this weekend, I am also commemorating the significant number of trees that are being destroyed at an unprecedented rate at the moment in the Royal Borough of Kingston Upon Thames. This is not something I want to write about but I made a commitment to focus on climate change in my writing (most of my writing is about that anyway) and so I begin here… we must value and protect our trees! #climateemergency
“Jefferies left school at fifteen and at first continued his habits of solitary wanderings about the local countryside. He dressed carelessly and allowed his hair to grow down to his collar. This, with his “bent form and long, rapid stride made him an object of wonder in the town of Swindon. But he was perfectly unconscious of this, or indifferent to it.”
“Later, after becoming ill in the 1867-1868 “My legs are as thin as a grasshopper’s”, he wrote to his aunt. Illness also prompted some reconsideration of his own character: he was going to be “not swell but stylish” in future, since people set so much store by appearance.”
“Open your eyes and see those things which are around us at this hour. If any imagine they shall find thoughts in many books, certainly they will be disappointed. Thought dwells by the stream and sea, by the hill and in the woodland, in the sunlight and free wind, where the wild dove haunts.” Richard Jefferies in Looker
“In the mind all things are written in pictures.” Richard Jefferies in Looker
“Though we have been so many thousands of years upon the earth, we do not seem to have done any more as yet than walk along beaten footpaths.” Richard Jefferies
At Tolworth Station, Under the railway bridge
“It is but a strip of sward, but it is as wild as if in the midst of a forest. A pleasure to everyone- therefore destroy it.” Richard Jefferies in Looker
(As it was in Jefferies day, so it is now.Surveyors and roadmen make sure that the delightful green strips that once surrounded many sign-posts at lonely lane ends are well covered with disfiguring gravel or lime heaps.)
Samuel J Looker writing in 1946 – what would they think now?
EWELL ROAD FOOTPRINT
Sun glaring off the pavement, off the bitumen
smell of dust and petrol- the suburbs in the summer
the smell of the spiky checquered upholstery
on the 281 bus, stuck in the traffic backed-up
along the Ewell Road.
Police Station, Red Lion pub
the last wooden bus shelter in London, removed – no longer the haunt
of crafty school-age smokers on the way home from school.
Bryants men’s outfitters opposite the church,
the church on hot days of May, a rosary month
where we would pray the beads at lunchtime
sometimes hide in the confessional.
Father Kirby with his Dot Cotton fag on
Leading the school mascot and pet goat, Olly.
fainting at the front of the church
holding a flag dressed in Guide uniform
that would be the incense.
My Uncle Bern fixing cars in the Blue Star garage
when Tesco was a twinkle in the cash register.
Buying my first single in Woolworths,
watching my Gran with the Greenshield stamps in the co-op,
ice cream floats and squeezy tomatoes in the Wimpy,
Verity’s with its never-changing ladies fashions.
Slippery subway steps under the Broadway.
Bells camping shop for my first sleeping bag,
Lorimers, and Superfish- still the same.
Standing outside Fine Fare on blustery days
on one of the Brutalist fountains,
holding my umbrella, hoping for Mary Poppins action,
spending pocket money in the supermarket on Lucozade and Dairy Milk
Collecting my copy of Jinty from Mouldy’s, opposite Raeburn,
Walking is also known to relieve depression and stress, freeing the mind to explore imaginary worlds. A 2012 study found that participants with clinical depression who took a walk in nature experienced improved memory, while an earlier 2008 study found that healthy adults experienced a mental boost after walking for an hour in the park.
Said Charles Dickens: “The sum of the whole is this: walk and be happy; walk and be healthy.”
The White Cycle Bridge over the confluence of the Hogsmill and The Bonesgate Stream and a peek at Tolworth Court Farm Fields
“The meadow glows with buttercups in spring, the hedges are green, the woods lovely; but these are not to be enjoyed in their full significance unless you have traversed the same places when bare, and have watched the slow fulfilment of the flowers.” Richard Jefferies in Looker
RAIN-SUNKEN roof, grown green and thin
For sparrows’ nests and starlings’ nests;
Dishevelled eaves; unwieldy doors,
Cracked rusty pump, and oaken floors,
And idly-pencilled names and jests
Upon the posts within.
The light pales at the spider’s lust,
The wind tangs through the shattered pane:
An empty hop-poke spreads across
The gaping frame to mend the loss
And keeps out sun as well as rain,
Mildewed with clammy dust.
The smell of apples stored in hay
And homely cattle-cake is there.
Use and disuse have come to terms,
The walls are hollowed out by worms,
But men’s feet keep the mid-floor bare
And free from worse decay.
All merry noise of hens astir
Or sparrows squabbling on the roof
Comes to the barn’s broad open door;
You hear upon the stable floor
Old hungry Dapple strike his hoof,
And the blue fan-tail’s whirr.
The barn is old, and very old,
But not a place of spectral fear.
Cobwebs and dust and speckling sun
Come to old buildings every one.
Long since they made their dwelling here,
And here you may behold
Nothing but simple wane and change;
Your tread will wake no ghost, your voice
Will fall on silence undeterred.
No phantom wailing will be heard,
Only the farm’s blithe cheerful noise;
The barn is old, not strange.
“The forest is gone; but the spirit of nature stays,
Court Farm Writers is a new writing group, and it starts tomorrow, Wednesday 16th May!Each week, you will be able to try different styles and forms of writing in a relaxed, friendly and supportive workshop.
Meeting in the comfortable surroundings of Court Farm Garden Centre Cafe, we will talk about writing and look at various forms, including poetry, short stories, memoir and novel writing. There will be writing exercises to try out and techniques to explore. Each session works as a stand alone, or as part of a bigger exploration of writing in all its guises.
Come and have some fun with words!
Sessions run from 10.00am – 11.30am and cost £8.00 in advance and £10.00 on the day. Price includes a tea or coffee.
Did you know that one of our most cherished and important nature writers lived in Tolworth? Richard Jefferies (1848-1887) was born in Coate in Wiltshire, but moved to live in Tolworth, at 296 Ewell Road, from 1877 – 1882.
During this time he wrote what is acknowledged to be his finest writing, some of which was collected in a book of essays called Nature Near London. Every day Jefferies would walk along the Ewell Road in various directions, but often he would stroll down towards Tolworth Court Farm Fields and to the Hogsmill. Sometimes he would walk towards Worcester Park, at other times he would wander along the river in the other direction, towards Ewell or Chessington.
We can walk in his footsteps, and still see and experience some of what he saw and wrote about back then. Come with us on a journey through the eyes and feet of this prolific and important writer (and walker!) who put Tolworth on the map in a way that no one else has. His work is hugely important and influential, and people still make pilgrimages to see where he lived, walked and worked.
On Bank Holiday Monday, May 7th, we will meet outside Richard Jefferies’ old home, now a Stack and Bonner Estate Agents, at 11am. Then we will walk down the Ewell Road, just as he did (but with cars and a lot more concrete), out to the edgelands between Greater London and Surrey, where the spirit of Jefferies still haunts the landscape.
We will stop briefly at 11.45am, at the railway bridge at Tolworth railway station, and then continue on, down the A240, to the bridge over the Hogsmill and on to the white bridge at the confluence of the Bonesgate Stream and Hogsmill.
We will then cross over the A240 and go to Tolworth Court Farm Moated Manor, and see if we can spot the kestrels currently nesting there; then head down Old Kingston Road and finish at the Court Farm Garden Centre Cafe between 12.30-1pm.
The walk will end with tea, chat and some optional writing activities, plus a chance to look at old photos of the area we will be walking in, including the barn Jefferies described in his essay in Nature Near London, and the old bridge at Tolworth Hall.
The Tolworth Memory Tree has taken root at the Court Farm Cafe – Alison Fure has created a tree, and it even has mistletoe! The tree is starting to bloom and sprout memories of Tolworth. We would like it to blossom with as many memories from as many people as possible. The tree will still be at the cafe for our next walk, so please do come and write a memory to hang on it!
This is the site of a medieval moated manor house – you can still see parts of the moat! In the last few weeks we have seen kestrels (who are nesting there), woodpeckers, herons and peregrine falcons – to name just some of the birds which regularly inhabit this place. Come and discover it for yourself, and imagine it as it was way back in the 13th century, and see what a lovely wild space it is now!
This Thursday, 23rd February I am thrilled to be reading a new collaborative poem with Susie Campbell at the Futures Camarade, which is part of the launch of the Visual Poetry show at the Museum of Futures in Surbiton. It has been an absolute delight to work with Susie, and we are looking forward to performing the work together for the first time on Thursday evening.
The show is being curated by the inimitable S J Fowler , with assistance from creative writing students Kingston University, and will exhibit work from a diverse range of artists and poets working across the boundaries of visual / textual art. I am very excited to be part of this and can’t wait to see what promises to be a distinctive and unique mix of work in the lovely space of the Museum of Futures.
I am chuffed to have a piece of visual work in the show, and to go with that, a new chapbook, Villiers Path: Scalloped Time, the second publication on the Seethingography imprint from Sampson Low publishers.
More about Villiers Path coming soon….
On Tuesday 28th February I will be hosting a Seething Writers workshop at the Museum of Futures: Seething Writers Go Totally Ekphrastic, where we will be writing in response to the work on show in the exhibition. More information here.
Un-rehabilitated prisoners were taken through the dark maze of tunnels beneath the streets of Pimlico to the lock up under the pub, where they were kept before being put on boats at Millbank pier, and eventually transported ‘Down Under’…
Panopticon Prison Plan
Millbank Pier (with MI5 in the background)
There are records of prisoners and prison officers dying in these cells, and in the tunnels connected to the prison, and as Gary, the landlord at the pub, was telling me when I went to do some research, a team of paranormal enthusiasts have carried out readings in the cells late at night….Brrrrrr
Gary very kindly took me and Sinead Keegan, a trustee of the festival, for a tour of the spooky cells, and answered questions about the pub and its history. As MI5 is situated directly across the river, the Morpeth Arms has some fascinating pictures and snippets of information about famous spies on its walls- which could be great stimulus for a flash fiction thriller!
Do join me in the snug, for what I hope will be an enjoyable couple of hours writing stories inspired by this fascinating place!
The workshop is FREE but numbers are limited so please email me to book your place: firstname.lastname@example.org and see the Facebook event here.
Ghosts, POMS and Panopticons at The Morpeth Arms, Thursday 16th June from 7.30-9.30pm, 58 Millbank, Westminster, London, SW1P 4RW