Visual Poetry Show at the Museum of Futures, Spring 2017

This Thursday, 23rd February I am thrilled to be reading a new collaborative poem with Susie Campbell at the Futures Camarade, which is part of the launch of the Visual Poetry show at the Museum of Futures in Surbiton. It has been an absolute delight to work with Susie, and we are looking forward to performing the work together for the first time on Thursday evening.

visual-poetry-poster-v3The Facebook event for the Futures Camarade reading and exhibition launch is here (I think it’s going to be a busy night!)

The show is being curated by the inimitable S J Fowler , with assistance from creative writing students Kingston University, and will exhibit work from a diverse range of artists and poets working across the boundaries of visual / textual art. I am very excited to be part of this and can’t wait to see what promises to be a distinctive and unique mix of work in the lovely space of the Museum of Futures.

I am chuffed to have a piece of visual work in the show, and to go with that, a new chapbook, Villiers Path: Scalloped Time, the second publication on the Seethingography imprint from Sampson Low publishers.

More about Villiers Path coming soon….

On Tuesday 28th February I will be hosting a Seething Writers workshop at the Museum of Futures: Seething Writers Go Totally Ekphrastic, where we will be writing in response to the work on show in the exhibition. More information here.

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Merchandise For Authors

I’m very pleased to have been featured as a case study in Melissa Addey’s excellent book, Merchandise for Authors, published at the end of her time as Writer-in-residence at the British Library.

“Merchandise for Authors is a really valuable resource. Melissa has clearly used the time she spent with the British Library to good effect, giving excellent advice to the many writers with whom she worked – and has now generously shared her thoughts in a format that means a much wider audience can benefit. I advise you to take her advice.” Dr Alison Baverstock, Associate Professor of Publishing at Kingston University, author of How to Market Books

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Over the Fields in The Countryman magazine

 

I am delighted to report that Over the Fields, my new poetry map, was featured in the February edition of The Countryman magazine, as part of the Editor’s Diary: “…a fascinating ‘poetry map’, Over the Fields, containing evocative poems and prose fragments, which can also be read in situ, allowing people to read and respond to the poems…”

Alongside the feature they have published a poem from the map, Hogsmill Tiddlers.

If you would like a map click here.

 

20 in 15 – The Lives of Artists by Bill Mudge

photograph by Bill Mudge
photograph by Bill Mudge

A lovely and unexpected thing that happened as part of making my Over the Fields poetry map, was that I was asked to be part of photographer Bill Mudge‘s project 20 in 15: The Lives of Artists. He spent last year photographing artists at work, documenting their creative processes and working environments.

Of the project Bill says: “20 in 15 encapsulates the significance of the creative arts in our communities, giving a unique insight into the lives of creative people and what it takes to make a living from the creative process; from finding studio space to exhibiting, educating and selling work…” Please visit the website for more information and to see who else took part – all types of artists from ceramicists to composers to puppeteers!

At the point where the new map was coming together, I met Bill one hot September day, at St John the Baptist church in Old Malden, an important location on the map. He took photos of me walking through the fields, as I checked all the locations and details on the map were correct, a kind of ‘proofing-in-situ’.

photograph by Bill Mudge
photograph by Bill Mudge

Then he came with me to meet Mel, who is the genius behind the artwork and production of Over the Fields, and took photos of us working together on the final edits and proofing of the map before it went to print. It was a pleasure meeting and working with Bill; it added another perspective to my own project, allowing me to reflect on my creative processes and the environment(s) I work in, as a poet/writer/walking artist.

photograph by Bill Mudge
photograph by Bill Mudge

I am very grateful to him for being so generous with his work and allowing me to use the beautiful photographs he took, a couple of which are here, and on my web site.

You can see Bill’s 20 in 15 : The Lives of Artists at the Mine Gallery in Carshalton Village from March 5th – March 27th. Bill has also run a successful Kickstarter campaign to publish a beautiful book of the project. If you would like be at the private view of the show the last few Private View Rewards are available for snapping up. It will be a great evening and I can’t wait to see the book!

 

Walking into 2016

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sunset at Avebury, December 28th 2015

I haven’t been blogging much recently- in fact hardly at all. 2015 turned into a crazy, exciting, busy year, creatively. As a result, I found at the end of the year that I had dropped some important threads, including my blog. I hope to pick up where I left off and carry on knitting this strangely-shaped patchwork blanket of random writings on a much more regular basis. Call it a New Year’s Resolution if you like, maybe it is one – my blog has been a writing rudder in the past, steering me through events, successes, failures, moods, frustrations and obsessions…and I hope it will do that again.

Lots of great stuff happened last year – I feel very grateful and fortunate to have met and worked with some lovely, talented and generous people, and to have achieved some of my ambitions for my writing. I will write more about this but I don’t know if that will happen here and now…it might happen randomly and at will, rather than any attempt to be chronological and consistent and comprehensive…

It was good to go away at Christmas and New Year and take a much-needed breather and see some new places and friendly faces.

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hide and seek at the stones, Avebury

We traveled to stay in a tiny cottage on the edge of a farm in Wiltshire, where I hoovered up Viv Albertine’s memoir in a couple of days; wandered around Avebury re-acquainting myself with its stones and trees, after eating lunch in the Red Lion; found a tiny magical part of Calne; stayed in a very rainy Bath and re-visited the Roman Baths and Sally Lunn’s – amazing lavender cake with rose buttercream filling!

Then we were very lucky to be invited to stay with one of oldest friends and her partner and sons in Cardiff, where we saw the New Year in hearing socialist anthems sang exquisitely by members of Cardiff Reds Choir, who happen to live two doors down from my friend’s house, and who were having a party, which we were then invited to. The next two days were filled with trips to the funfair and Dr Who Experience, home-made curry and apple pie…a great way to see the New Year in – best one I’ve had in years. Thanks for everything, Tania XXX

 

 

Harvesting A Map, Over the Fields

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A small band of friends and family took a walk Over the Fields yesterday, to help me harvest the new poetry map. A glorious late September afternoon, close to the Autumn Equinox, traditionally associated with the second harvest…perfect timing.
We met at the church and were greeted by the vicar, Kevin, who was very generous in allowing us to wander around the beautiful church that is in his care, even letting Techno the Great Dane have a nose inside, and letting the children have a go on the church organ.

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We rambled down the hill into the valley; along paths, over and under bridges, by the river and through fields, stopping at various points to read poems. Thank you to Dad’s friend Roger White, who grew up and played in the fields too. He read us two pieces of writing he had published back in 1960, which was a great addition to the occasion. One about the Hogsmill River, published in his school magazine, and the other, a small clipping from the Surrey Comet, a news story about a local ‘incident’, which took place in 1959…

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Thank you to the family and friends who have helped me to make this new map, and who have been so kind and generous with their time, skills and support. Thanks to Bill Mudge, who recently took photos of me over the fields as I was finishing the map and taking a last walk there before signing off the final proof at my friend Mel’s studio. (Mega thanks to Mel- the map wouldn’t exist without her) Bill has kindly allowed me to use his photos, and a couple of them are on my web site. You can find more of Bill’s work here – the photos of me and Mel are part of his project 20 in 15.
The map is officially ready to find its way into the world, and with a bit of luck will help people wend their way around this patch of ‘green’…maybe you will be one of them…?
You can buy the Over the Fields map HERE, right now, and the first 25 people to order one will also get a FREE limited edition postcard (1 of 50) with a brand new poem which is also connected to this area, but not on the map… Your journey begins here!
There may be other walks – please ‘like’ my Facebook page for updates.

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clew

At the beginning of this year I was lucky enough to have a poem accepted for issue 3 of Boscombe Revolution, published by Hesterglock Press. I read said poem, and a few others, in Bristol, as part of the launch event, which was a fantastic evening of poetry, spoken word and fiction at the Duke of York pub in St. Werburghs.

This Saturday I am over the moon to be going back to the very same place to launch my debut poetry pamphlet, clew, which is also being published by Hesterglock Press. clew is named after the ball of thread Ariadne gave to Theseus to help him find his way out of the Labyrinth.

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I’ll be performing alongside Sarer Scotthorne, who recently published her first collection, The Blood House, and Paul Hawkins, who will be launching his collection, Contumacy, published by Erbacce. Adding to this will be music from Sheer Zed, Bristol-based electronic musician and artist, who will be providing ambient soundscapes for some of the poems. The event is part of the Bristol Spring Poetry Festival.

I feel very fortunate to have Hesterglock Press publishing my first collection of poetry. They have been wonderful to work with, and I am chuffed to bits with the finished result. For more info please visit the website.

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