I am currently preparing for a talk I will be giving this Thursday, 22nd June at Quay Arts, the Isle of Wight’s leading art gallery and venue for live events. I was thrilled to be invited to speak about my poetry map, Over the Fields, as part of the events and activities taking place around Richard Long’s show, The Isle of Wight as Six Walks, 8th April – 1st July.
I will be talking about how and why I came to make the map. Regular readers of my (somewhat irregular) blog will know that this was a process of going for walks with my Dad and my son, over 18 months, beginning in January 2014, and ending in August 2015. The map was self-published after being beautifully designed by my best mate, and printed and folded into a pocket-sized A6 fold out full colour working map, with poems on one side and photos and map on the other.
Since then the map and I have been on quite a journey, and I have been able to achieve some of the aims I had for it, and other things have happened which were unexpected but equally wonderful.
I will talk about this tiny piece of greenbelt, and the impact it continues to have on my family. I hope you can join me for a walk through the poems and a chance to think about memory, family and place. And walking itself, and why it continues to inspire creativity.
Unusually for us, we have done glorious ‘nothing’ today, a bit of tidying up, read 50 pages of a book, played on the X Box, watched Minecraft Youtube videos on the tablet, trampolined, walked to Marks and Spencers to buy bread, talked about swearing, blaspheming and the etymology of the word ‘crap’, cooked roast chicken, listened to all the carnival-related programmes on BBC 6 Music, had a dance off to Original Nuttah and Brown Paper Bag – “*THIS* is drum and bass” -snuggled up and watched Streetdance and ended up robot dancing…
Geography Workshop Presents….Her Outdoors. Geography Workshop Presents questions assumptions about the ways in which our world is imagined. In this first programme, artists and writers Karen Lloyd, Alison Lloyd, Lucy Furlong and Morag Rose reflect on walking as practise, informed by the pejorative phrase ‘Er Indoors’. How does their work and the embodied practise of walking inform the way they narrate, enrich and question the narratives that dominate nature-writing, landscape and psycho-geography? Presented by Dr Jo Norcup. [Repeated Friday 9am.]
Thanks to Jo Norcup for inviting me to be involved. I had a great time meeting and talking with everyone, and felt inspired and fired-up afterwards.
I will be talking about why I decided to make a map about this small strip of greenbelt on the boundaries between several places, on the edge of Greater London. I will also speak about the process for doing it and how the poems took shape.
Over the Fields walk, March 2016
Over the Fields walk, January 2016
We have continued to walk Over the Fields since the map was published, and I have carried on documenting our walks with writing and photos, with the aim of sustaining and extending my, and my family’s relationship with this place, and finding out what it means to other people too.
I am very excited to have the opportunity to engage with the themes of this conference and to take part in the important and timely conversation that the conference will engender.
I am delighted to report that Over the Fields, my new poetry map, was featured in the February edition of The Countryman magazine, as part of the Editor’s Diary: “…a fascinating ‘poetry map’, Over the Fields, containing evocative poems and prose fragments, which can also be read in situ, allowing people to read and respond to the poems…”
Alongside the feature they have published a poem from the map, Hogsmill Tiddlers.
A lovely and unexpected thing that happened as part of making my Over the Fields poetry map, was that I was asked to be part of photographer Bill Mudge‘s project 20 in 15: The Lives of Artists. He spent last year photographing artists at work, documenting their creative processes and working environments.
Of the project Bill says: “20 in 15 encapsulates the significance of the creative arts in our communities, giving a unique insight into the lives of creative people and what it takes to make a living from the creative process; from finding studio space to exhibiting, educating and selling work…” Please visit the website for more information and to see who else took part – all types of artists from ceramicists to composers to puppeteers!
At the point where the new map was coming together, I met Bill one hot September day, at St John the Baptist church in Old Malden, an important location on the map. He took photos of me walking through the fields, as I checked all the locations and details on the map were correct, a kind of ‘proofing-in-situ’.
Then he came with me to meet Mel, who is the genius behind the artwork and production of Over the Fields, and took photos of us working together on the final edits and proofing of the map before it went to print. It was a pleasure meeting and working with Bill; it added another perspective to my own project, allowing me to reflect on my creative processes and the environment(s) I work in, as a poet/writer/walking artist.
I am very grateful to him for being so generous with his work and allowing me to use the beautiful photographs he took, a couple of which are here, and on my web site.