Visual Poetry Show at the Museum of Futures, Spring 2017

This Thursday, 23rd February I am thrilled to be reading a new collaborative poem with Susie Campbell at the Futures Camarade, which is part of the launch of the Visual Poetry show at the Museum of Futures in Surbiton. It has been an absolute delight to work with Susie, and we are looking forward to performing the work together for the first time on Thursday evening.

visual-poetry-poster-v3The Facebook event for the Futures Camarade reading and exhibition launch is here (I think it’s going to be a busy night!)

The show is being curated by the inimitable S J Fowler , with assistance from creative writing students Kingston University, and will exhibit work from a diverse range of artists and poets working across the boundaries of visual / textual art. I am very excited to be part of this and can’t wait to see what promises to be a distinctive and unique mix of work in the lovely space of the Museum of Futures.

I am chuffed to have a piece of visual work in the show, and to go with that, a new chapbook, Villiers Path: Scalloped Time, the second publication on the Seethingography imprint from Sampson Low publishers.

More about Villiers Path coming soon….

On Tuesday 28th February I will be hosting a Seething Writers workshop at the Museum of Futures: Seething Writers Go Totally Ekphrastic, where we will be writing in response to the work on show in the exhibition. More information here.

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Ghosts POMs and Panopticons: Writing Workshop at the Morpeth Arms

It's a fair cop Guv'
It’s a fair cop Guv’

This Thursday evening, 16th June, I am delighted to be running a writing workshop as part of SouthWestFest, at the Morpeth Arms pub in Pimlico.

This haunted London pub has a row of holding cells in its cellar, which were used as holding cells for the prisoners of the infamous Millbank Penitentiary which, in the 19th century, stood on the land now occupied by Tate Britain. The prison was built as a panopticon, or ‘all-seeing’ prison, and was designed by Jeremy Bentham, who saw it as “a mill for grinding rogues honest” .

Un-rehabilitated prisoners were taken through the dark maze of tunnels beneath the streets of Pimlico to the lock up under the pub, where they were kept before being put on boats at Millbank pier, and eventually transported ‘Down Under’…

There are records of prisoners and prison officers dying in these cells, and in the tunnels connected to the prison, and as Gary, the landlord at the pub, was telling me when I went to do some research, a team of paranormal enthusiasts have carried out readings in the cells late at night….Brrrrrr

Gary very kindly took me and Sinead Keegan, a trustee of the festival, for a tour of the spooky cells, and answered questions about the pub and its history. As MI5 is situated directly across the river, the Morpeth Arms has some fascinating pictures and snippets of information about famous spies on its walls- which could be great stimulus for a flash fiction thriller!

Do join me in the snug, for what I hope will be an enjoyable couple of hours writing stories inspired by this fascinating place!

The workshop is FREE but numbers are limited so please email me to book your place: words@lucyfurlong.com and see the Facebook event here.

Ghosts, POMS and Panopticons at The Morpeth Arms, Thursday 16th June from 7.30-9.30pm, 58 Millbank, Westminster, London, SW1P 4RW

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Geography Workshop Presents: Her Outdoors

 

This Thursday, 14th April, on the mighty Resonance FM, from 8-9pm:

er indoors 2

Clear Spot

Geography Workshop Presents….Her Outdoors. Geography Workshop Presents questions assumptions about the ways in which our world is imagined. In this first programme, artists and writers Karen Lloyd, Alison Lloyd, Lucy Furlong and Morag Rose reflect on walking as practise, informed by the pejorative phrase ‘Er Indoors’. How does their work and the embodied practise of walking inform the way they narrate, enrich and question the narratives that dominate nature-writing, landscape and psycho-geography? Presented by Dr Jo Norcup. [Repeated Friday 9am.]

er indoors 1

Thanks to Jo Norcup for inviting me to be involved. I had a great time meeting and talking with everyone, and felt inspired and fired-up afterwards.

I hope you enjoy listening in!

 

Landscaping Change Conference at Bath Spa University

Photograph by Bill Mudge
Photograph by Bill Mudge

Next week I am taking my Over the Fields poetry map to the Landscaping Change conference at Bath Spa University:

“Exploring the transformation, reconstitution and disruption of environments through the arts and humanities and social science.”

I will be talking about why I decided to make a map about this small strip of greenbelt on the boundaries between several places, on the edge of Greater London. I will also speak about the process for doing it and how the poems took shape.

We have continued to walk Over the Fields since the map was published, and I have carried on documenting our walks with writing and photos, with the aim of sustaining and extending my, and my family’s relationship with this place, and finding out what it means to other people too.

I am very excited to have the opportunity to engage with the themes of this conference and to take part in the important  and timely conversation that the conference will engender.

More about the conference here.

Over the Fields in The Countryman magazine

 

I am delighted to report that Over the Fields, my new poetry map, was featured in the February edition of The Countryman magazine, as part of the Editor’s Diary: “…a fascinating ‘poetry map’, Over the Fields, containing evocative poems and prose fragments, which can also be read in situ, allowing people to read and respond to the poems…”

Alongside the feature they have published a poem from the map, Hogsmill Tiddlers.

If you would like a map click here.

 

Óvinir – The Enemies project: Iceland

Sarah Dawson and I will be performing our collaborative sound poem next Saturday, at Rich Mix, as part of this amazing event. More information below and from the Enemies web site:

“Óvinir is an ambitious collaborative poetry project, pairing writers from both Iceland and the UK to create brand new works for readings in London, Reyvjavik and Stykkishólmur January 2016. Curated by SJ Fowler and Valgerður Þóroddsdóttir, and supported by Reykjavik UNESCO city of literature, Ovinir will evidence the best of both Icelandic and British 21st century literary and avant-garde writing, and the powerful potential of collaboration to bring together communities of poets and create dynamic new pieces of literature.”


Óvinir: London – January Saturday 30th 2016: Rich Mix Arts Centre

7.30pm doors for an 8pm start – Free entry. http://www.richmix.org.uk/whats-on/event/the-enemies-project-iceland–ovinir/

Óvinir brings together a host of Icelandic poets and writers to the UK to premiere brand new collaborations with British poets, featuring, as the core cross-nation collaborating poets:

Andri Snær Magnason & Joanna Walsh
Ásta Fanney Sigurðardóttir & SJ Fowler
Eiríkur Örn Nörðdahl & Hannah Silva,
Valgerður Þóroddsdóttir & Jack Underwood.

The London event will also feature new collaborations, in pairs, and in groups from:

Inua Ellams & Vahni Capildeo
Tasimbaradzwa Kanyangarara & tbc
Lucy Furlong & Sarah Dawson
Mohammed Al-Houti, Alex Brinded, Jo Longley, Karly Stilling & Raif Mansell
Rose Ades, John Canfield, Susie Campbell, Joe Turrent & Eileen Daly
Valeria Fioretti, Ana Lucia Beck, Suzie Champion, Ella Frears, Claudia Juhre, Sarah Kelly, Jacinta Lynch, Lavinia Singer,  Simone Gilson & Iris Colomb

Mapping Memories, Over the Fields talk at The Museum of Futures

I am currently writing a talk about the new Over the Fields poetry map called ‘Mapping Memories’, for the Free University of Seething’s lecture series. My talk takes place next Tuesday, 19th January at the Museum of Futures,Brighton Road, Surbiton (Facebook event here). More about the delightful world of Seething in another post soon….
I’ve spoken about the map several times in the past but not since it was published. I will be talking about why I decided to write about the space my family calls ‘Over the Fields’, and why this had to be a poetry map and not a book. I will also discuss some of the history of the place, read some poems and talk about what I hope to do with it next. Hope to see you there!