Mapping Memories, Over the Fields talk at The Museum of Futures

I am currently writing a talk about the new Over the Fields poetry map called ‘Mapping Memories’, for the Free University of Seething’s lecture series. My talk takes place next Tuesday, 19th January at the Museum of Futures,Brighton Road, Surbiton (Facebook event here). More about the delightful world of Seething in another post soon….
I’ve spoken about the map several times in the past but not since it was published. I will be talking about why I decided to write about the space my family calls ‘Over the Fields’, and why this had to be a poetry map and not a book. I will also discuss some of the history of the place, read some poems and talk about what I hope to do with it next. Hope to see you there!

 

Oh By Jingo

I can’t write about Bowie- there are many glorious essays, articles, outpourings, anecdotes, tributes and stories accumulating like gold dust in his wake… they are easy to find, and have been comforting I think for so many of us who feel bereft. I’ve just read this one by Chris Roberts in the Quietus this is interesting too…The Villa of Ormen…  It’s not too late to feel grateful to the Thin White Duke, even if he has returned to the stars. I have a renewed sense of ‘better do it now and better do it the way I want to do it’…and I am sure I am not the only one. What a legacy…. listen to this…Black Star by Elvis Presley- right to the end Bowie was impeccable with his art and his intentions…

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Walking into 2016

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sunset at Avebury, December 28th 2015

I haven’t been blogging much recently- in fact hardly at all. 2015 turned into a crazy, exciting, busy year, creatively. As a result, I found at the end of the year that I had dropped some important threads, including my blog. I hope to pick up where I left off and carry on knitting this strangely-shaped patchwork blanket of random writings on a much more regular basis. Call it a New Year’s Resolution if you like, maybe it is one – my blog has been a writing rudder in the past, steering me through events, successes, failures, moods, frustrations and obsessions…and I hope it will do that again.

Lots of great stuff happened last year – I feel very grateful and fortunate to have met and worked with some lovely, talented and generous people, and to have achieved some of my ambitions for my writing. I will write more about this but I don’t know if that will happen here and now…it might happen randomly and at will, rather than any attempt to be chronological and consistent and comprehensive…

It was good to go away at Christmas and New Year and take a much-needed breather and see some new places and friendly faces.

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hide and seek at the stones, Avebury

We traveled to stay in a tiny cottage on the edge of a farm in Wiltshire, where I hoovered up Viv Albertine’s memoir in a couple of days; wandered around Avebury re-acquainting myself with its stones and trees, after eating lunch in the Red Lion; found a tiny magical part of Calne; stayed in a very rainy Bath and re-visited the Roman Baths and Sally Lunn’s – amazing lavender cake with rose buttercream filling!

Then we were very lucky to be invited to stay with one of oldest friends and her partner and sons in Cardiff, where we saw the New Year in hearing socialist anthems sang exquisitely by members of Cardiff Reds Choir, who happen to live two doors down from my friend’s house, and who were having a party, which we were then invited to. The next two days were filled with trips to the funfair and Dr Who Experience, home-made curry and apple pie…a great way to see the New Year in – best one I’ve had in years. Thanks for everything, Tania XXX

 

 

Back Soon…Time Flies

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This may the least amount of blogging I’ve done in the last nearly ten years… it’s been an eventful and exciting year so far. Very busy creatively- and professionally- in fact the two are combining nicely- which was always the plan- with all kinds of stuff happening, happened, and with a bit of luck and a following wind, going to happen…

So this is a holding post to say I will be posting here again on a more regular basis, with all kinds of news of the soon-to-be-published Over The Fields map, plus an update on what I’ve been up to over the last few months (mainly to remind myself and gather my thoughts as we head towards Lammas), and also to write about other stuff that will be happening this Autumn…

In the meantime- here I am at the Carshalton Time Machine…more now, and then, soon…

 

Carshalton-On-Sea Festival

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This has all come together rather quickly, and impressively, and I am delighted to be so involved. The main event for me and my other poetical colleagues, Sarah Dawson, Neil Horabin and David Russamano, is the Water Poets at 1pm in the Cryer Theatre, Saturday 20th June. There will be tonnes of other excellent stuff to see and do over the weekend!

Over The Fields Poetry Map: It’s Coming…

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The new poetry map I have been working on for the last 18 months is on its way to being published…there are still final bits and bobs of writing to do, photos to select and final edits but the art work is taking shape. I am very excited about this as it is highly personal – a map of Furlong territory, especially my Dad’s, and his brothers’ and sisters’ – their ‘second home.’ It continues to amaze me, how much this small piece of land contains in terms of stories, nature and deep history. I cannot possibly cram all the writing and poems, pictures and information I have gathered and created, and am continuing to amass on to two sides of A2 map…maybe this will become something else in the future…

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More news and updates on this as it continues to materialise into something tangible. For now, the photos above are of where I lay the other afternoon, listening to many different birds singing, bees buzzing, watching fronds and flowers swaying in the breeze… a ten minute walk from the white noise of the A3 in one direction, and the train to Waterloo in the other.

This is the sound of the suburbs.

The Launch of clew

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On Saturday 18th April, at the Duke of York pub in St Werburghs in Bristol my first pamphlet, clew, published by Hesterglock Press, was launched. This was along with Sarer Scotthorne’s first pamphlet, The Blood House, and Paul Hawkins’s first full length collection from Erbacce press, Contumacy

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l-r: Sheer Zed, Sarer Scotthorne, me, Paul Hawkins

As part of the Bristol Spring Poetry Festival this was a wonderful evening of us three poets coming together to read our work, and celebrate. Sheer Zed, a  fantastic multi-talented electronic musician, provided soundscapes to some of the poems, and a great set of his own work.

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It was a pleasure to be back at this lovely pub in a corner of the city that I spent time in occasionally when I lived in  Bristol many years ago. Strange and synchronistic to be back reading poetry and launching my first collection here, after ten years to the month of leaving. Also, to be supported by dear friends living there, who I have stayed in touch with, and amazingly, to have four brilliant mates from Wales drive across for the evening! And to meet and chat with new people in this friendly, vibrant place

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Sarer and Paul gave superb readings, hugely talented performers, and unique voices in poetry individually, as well as the partnership behind Hesterglock Press, which also publishes the vital Boscombe Revolution / Bosc:Rev magazine. I was chuffed to finally meet with Sheer Zed too, who I have been communicating with on social media for a while.

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I’m so grateful to Zed for composing soundtracks for some of my work. As someone who started off many years ago by singing in a band and making experimental music, it was really exciting to ‘out’ my frustrated vocalist and have that additional musical dimension to my work. I hope we get to work together again.

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There are plans to do a similar event in London but not sure when- keep an eye on the blog for details.

In the meantime Sarer and Paul’s work can be found via Hesterglock Press and Paul’s web site- I wrote a brief review of The Blood House, and have since spent more time with it and I would recommend you do so too. Here is Andie Berryman’s review of it. I have also read and re-read Contumacy, and it contains my favourite poem from last year which I return to over and over. Steve Willey wrote a great piece about it here.

Back on the 21st March, Sarer and Paul appeared on Jude Cowan Montague’s radio show, The News Agents on Resonance FM. Sarer beautifully read my poem, The Cleaning Cupboard, which was published in issue 3 of Boscombe Revolution. It’s a great programme with Jude and co-host Alice Foster discussing Hesterglock Press, and talking with Paul and Sarer about their work, including Paul’s up and coming publication, Place/Waste/Dissent, which is going to be published by Influx Press in October 2015. Listen in here!

Submissions to Bosc:Rev are open for the next issue- more info here.

Listen to some of Sheer Zed’s amazing remixes of poems by Sarer, Paul and me here.

You can buy my pamphlet clew here.

“Read ‘clew’ for a window on our times and a reminder of how poetry remains a resistant art.”Siobhán Campbell; poet

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At the beginning of this year I was lucky enough to have a poem accepted for issue 3 of Boscombe Revolution, published by Hesterglock Press. I read said poem, and a few others, in Bristol, as part of the launch event, which was a fantastic evening of poetry, spoken word and fiction at the Duke of York pub in St. Werburghs.

This Saturday I am over the moon to be going back to the very same place to launch my debut poetry pamphlet, clew, which is also being published by Hesterglock Press. clew is named after the ball of thread Ariadne gave to Theseus to help him find his way out of the Labyrinth.

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I’ll be performing alongside Sarer Scotthorne, who recently published her first collection, The Blood House, and Paul Hawkins, who will be launching his collection, Contumacy, published by Erbacce. Adding to this will be music from Sheer Zed, Bristol-based electronic musician and artist, who will be providing ambient soundscapes for some of the poems. The event is part of the Bristol Spring Poetry Festival.

I feel very fortunate to have Hesterglock Press publishing my first collection of poetry. They have been wonderful to work with, and I am chuffed to bits with the finished result. For more info please visit the website.

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The Blood House, Sarer Scotthorne

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This is Sarer Scotthorne’s first collection, published by Hesterglock Press in January, a ruby which dropped into my palms at the Bristol launch of Boscombe Revolution 3.
These poems demand to be read in one go; the pages are bursting with movement, quaking with emotion and physicality, fighting to break free of their constraints.
They wrangle with the stuff of life, of our closest relationships: grief and anguish; disappointment and despair; longing and desire. There is no holding back – the language is forceful, honest to the point of brutality, making for a challenging but visceral one-sitting read.
Scotthorne negotiates the loss of her father, the shock of the grief, invoking the myth of Oedipus in in her sequence, Poison
“down the lead pipes, rattling the fragments left in shattered windows.
A token from his once industrial; I bound a shard of glass and searched
The urine-scented halls until found his sleeping body on a shock of Ragwort.”
From Scene 1. Alone
Imagery juxtaposes machinery and corporeality, combined with inner city landscape; the decay of industry, concrete images of the mix of human detritus from sweat to beer cans, with perennial weeds- nature’s creeping into the liminal spaces we barely notice but recognise as part of our environment in contemporary urban life. Places of transformation.
Saraswati Murmurs, which is beautifully scored on the page, offers respite from the aftershocks of grief and seems to be a point of letting go:
“step                        onto soft mud
and slipped        under the water         I wanted         turned
water     my      body…”
Blood runs through this collection as the red thread of life. Cold metal and warm blood. Blood as a signifier for wounding and loss, of fear; blood as a threat; blood as heat; blood as contamination; blood as life; blood as acknowledgment of a beating heart, of reawakened desire; as life giver and as revival.
The Blood House is a courageous journey, pulsing with truth. Read it.

“Paradise haunts gardens…” Derek Jarman

I have no idea how long I have been thinking about going to see Derek Jarman’s garden- but it’s probably more than the twenty years since he died. I finally made it last Wednesday; drove from Rye, where we were staying for half term, on a persistently drizzly and grey day, through the marshes and strange flatness of Camber and Lydd. Across the pylon-plotted horizon with the odd caravan park nestling by their giant electric feet. And then without knowing until I saw it, there, a yellow framed, black stained timber building loomed into view through the mist and rain-spattered windscreen of my car.

There!

With the BBC film crew van tucked into the side of the narrow road between the stretch of shingle and few houses, there on the right hand side, the garden. Here are some grey rainy shots of Jarman’s garden as it is now, twenty years after he died. As far as I know the house is owned by someone new but obviously aware and respectful of the legacy, and the garden remains. Below is a short film made by BBC Gardeners’ World in the first few years after Jarman passed on, where his partner is interviewed and talks about the garden, and which includes quotes from Jarman’s book…. now I have to go back when the weather is better in the Spring. Dungeness is magickal and it is easy to understand why he settled there.

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