#SourcePark Hastings

A week staying in a tiny cottage in Hastings Old Town took on a new significance for my scooter-obsessed son when we discovered, on our second day here, that a 20 minute walk along the promenade would take us to The Source Park – the world’s largest underground skatepark.

The Source building was originally the White Rock swimming baths, including a Turkish bath and individual baths back in Victorian times. Its popularity waxed and waned, and over the years the building was modified and became an ice rink and a cinema. Eventually it closed and was derelict for several years.

The skatepark opened in 2016, after gaining funding in 2014, and the White Rock baths underwent a massive overhaul in being fitted out as a skatepark. But what is fascinating about the building now, apart from it being a great place for all ages of scooter / BMX / skateboarder to go and ride, is that in transforming it, many of the original features of the pool have been kept, and are wonderful to see.

This would seem a fitting tribute not only to the original architects and designers of the White Rock pool, but also to the original development of skateboarding, and its anarchic roots in the riding of backyard swimming pools back in the 1970s, as shown in the seminal documentary Dogtown and Z-Boys, about the pioneering Zephyr team, whose skateboarding started as an extension of surfing.

As the mum of an enthusiastic 10 year old boy scooterer (is that a word?), I am pleased to have somewhere cool to take him, which is also a pleasure for me to spend time in, has a great cafe, and as a writer about place, is not too smoothed over. It feels honest. The music is great too!

 

 

 

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Today

nipperandmeUnusually for us, we have done glorious ‘nothing’ today, a bit of tidying up, read 50 pages of a book, played on the X Box, watched Minecraft  Youtube videos on the tablet, trampolined, walked to Marks and Spencers to buy bread, talked about swearing, blaspheming and the etymology of the word ‘crap’, cooked roast chicken, listened to all the carnival-related programmes on BBC 6 Music, had a dance off to Original Nuttah and Brown Paper Bag – “*THIS* is drum and bass” -snuggled up and watched Streetdance and ended up robot dancing…

laughed, counted our blessings, me and my son.

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Oh By Jingo

I can’t write about Bowie- there are many glorious essays, articles, outpourings, anecdotes, tributes and stories accumulating like gold dust in his wake… they are easy to find, and have been comforting I think for so many of us who feel bereft. I’ve just read this one by Chris Roberts in the Quietus this is interesting too…The Villa of Ormen…  It’s not too late to feel grateful to the Thin White Duke, even if he has returned to the stars. I have a renewed sense of ‘better do it now and better do it the way I want to do it’…and I am sure I am not the only one. What a legacy…. listen to this…Black Star by Elvis Presley- right to the end Bowie was impeccable with his art and his intentions…

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Walking into 2016

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sunset at Avebury, December 28th 2015

I haven’t been blogging much recently- in fact hardly at all. 2015 turned into a crazy, exciting, busy year, creatively. As a result, I found at the end of the year that I had dropped some important threads, including my blog. I hope to pick up where I left off and carry on knitting this strangely-shaped patchwork blanket of random writings on a much more regular basis. Call it a New Year’s Resolution if you like, maybe it is one – my blog has been a writing rudder in the past, steering me through events, successes, failures, moods, frustrations and obsessions…and I hope it will do that again.

Lots of great stuff happened last year – I feel very grateful and fortunate to have met and worked with some lovely, talented and generous people, and to have achieved some of my ambitions for my writing. I will write more about this but I don’t know if that will happen here and now…it might happen randomly and at will, rather than any attempt to be chronological and consistent and comprehensive…

It was good to go away at Christmas and New Year and take a much-needed breather and see some new places and friendly faces.

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hide and seek at the stones, Avebury

We traveled to stay in a tiny cottage on the edge of a farm in Wiltshire, where I hoovered up Viv Albertine’s memoir in a couple of days; wandered around Avebury re-acquainting myself with its stones and trees, after eating lunch in the Red Lion; found a tiny magical part of Calne; stayed in a very rainy Bath and re-visited the Roman Baths and Sally Lunn’s – amazing lavender cake with rose buttercream filling!

Then we were very lucky to be invited to stay with one of oldest friends and her partner and sons in Cardiff, where we saw the New Year in hearing socialist anthems sang exquisitely by members of Cardiff Reds Choir, who happen to live two doors down from my friend’s house, and who were having a party, which we were then invited to. The next two days were filled with trips to the funfair and Dr Who Experience, home-made curry and apple pie…a great way to see the New Year in – best one I’ve had in years. Thanks for everything, Tania XXX

 

 

Sheer Zed’s Glossolalic Evocations

Sheer Zed’s Glossolalic Evocations

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One of the lovely things about this year has been meeting and working with some wonderful, talented people. Sheer Zed and I met on Twitter a few years back and so it was a major treat to finally meet him. Especially as the first time we met ‘IRL’ was at the Hesterglock Press launch of my pamphlet clew in April this year, and he was providing ambient soundtracks to my, Sarer Scotthorne and Paul Hawkins’s readings.

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He also sampled my reading of a long poem A Summoning, and turned it into a sweeping soundscape- one of my highlights of the year to have someone use my words in their music. We hope to work together at some point again in the future- which is a very happy-making thought!

This track is available as part of Sheer Zed’s new release Glossolalic Evocations, which is released today. More information on how to get it here.

I was very lucky to receive this as a gift from Sheer Zed and have been enjoying listening to it- it is mind-bending – body- moving – immersive electronic music in all the best possible ways, and is an utter pleasure to soak up. I recommend it.

Sheer Zed has described Glossolalic Evocations as:

“…engorged with various sonic elements such as Bristolized bass, noise, glossolalic utterances, recorded ambience, rugged mechanized beats and a garnish of just a slither of acid.

Here are my, in places, vaguely glossolalic responses to some of the tracks…


Hevvy hypnotic metallic phasing iconoclastic future beats pummelling drop dub sound of dead London stretched out time blip dance loops held in glistening spectral sheets of sonic dance macabre
Clockwork ticking cog turning melodic organic mechanic blocks of reverberating dissonant rhythmic spaces gripped by claws of cubic creaking dub bird swooping through pines surveying silence time breeze on and on and on on on on strike
Deep house depth charge techno funk > Lost in Brixton in the 90s, Derrick May, Carl Craig and dancing next to a tank draped in khaki camo for four quid when Brixton was still like that move your hands in robot blip shapes and no chill out shroom shaking space robot bez haunts loose lose losing your ..it
………………………………….1.27 drop and accumulate repetitive beats Load your quiver……………………..
…………………………………………………………………………………………………………………Watch the Skies. 3.36
Dark mornings in Bristol walking the cut captured by rust, decay trees. Disappearing tube train to the underworld. Pennies on eyes for the journey.
tell it like Stri ell of sulp hur un der a brid ke mat ches ge sul phur dr it is c o n j u r e a d e v i l hur str ike mat ches un der a brid aw a cir cle ge sm ell of sul phur und er a brid ge sm str ike mat ches sm ell of echo drip

Carshalton-On-Sea Festival

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This has all come together rather quickly, and impressively, and I am delighted to be so involved. The main event for me and my other poetical colleagues, Sarah Dawson, Neil Horabin and David Russamano, is the Water Poets at 1pm in the Cryer Theatre, Saturday 20th June. There will be tonnes of other excellent stuff to see and do over the weekend!

The Launch of clew

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On Saturday 18th April, at the Duke of York pub in St Werburghs in Bristol my first pamphlet, clew, published by Hesterglock Press, was launched. This was along with Sarer Scotthorne’s first pamphlet, The Blood House, and Paul Hawkins’s first full length collection from Erbacce press, Contumacy

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l-r: Sheer Zed, Sarer Scotthorne, me, Paul Hawkins

As part of the Bristol Spring Poetry Festival this was a wonderful evening of us three poets coming together to read our work, and celebrate. Sheer Zed, a  fantastic multi-talented electronic musician, provided soundscapes to some of the poems, and a great set of his own work.

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It was a pleasure to be back at this lovely pub in a corner of the city that I spent time in occasionally when I lived in  Bristol many years ago. Strange and synchronistic to be back reading poetry and launching my first collection here, after ten years to the month of leaving. Also, to be supported by dear friends living there, who I have stayed in touch with, and amazingly, to have four brilliant mates from Wales drive across for the evening! And to meet and chat with new people in this friendly, vibrant place

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Sarer and Paul gave superb readings, hugely talented performers, and unique voices in poetry individually, as well as the partnership behind Hesterglock Press, which also publishes the vital Boscombe Revolution / Bosc:Rev magazine. I was chuffed to finally meet with Sheer Zed too, who I have been communicating with on social media for a while.

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I’m so grateful to Zed for composing soundtracks for some of my work. As someone who started off many years ago by singing in a band and making experimental music, it was really exciting to ‘out’ my frustrated vocalist and have that additional musical dimension to my work. I hope we get to work together again.

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There are plans to do a similar event in London but not sure when- keep an eye on the blog for details.

In the meantime Sarer and Paul’s work can be found via Hesterglock Press and Paul’s web site- I wrote a brief review of The Blood House, and have since spent more time with it and I would recommend you do so too. Here is Andie Berryman’s review of it. I have also read and re-read Contumacy, and it contains my favourite poem from last year which I return to over and over. Steve Willey wrote a great piece about it here.

Back on the 21st March, Sarer and Paul appeared on Jude Cowan Montague’s radio show, The News Agents on Resonance FM. Sarer beautifully read my poem, The Cleaning Cupboard, which was published in issue 3 of Boscombe Revolution. It’s a great programme with Jude and co-host Alice Foster discussing Hesterglock Press, and talking with Paul and Sarer about their work, including Paul’s up and coming publication, Place/Waste/Dissent, which is going to be published by Influx Press in October 2015. Listen in here!

Submissions to Bosc:Rev are open for the next issue- more info here.

Listen to some of Sheer Zed’s amazing remixes of poems by Sarer, Paul and me here.

You can buy my pamphlet clew here.

“Read ‘clew’ for a window on our times and a reminder of how poetry remains a resistant art.”Siobhán Campbell; poet

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