Back in January I was honoured to be invited by Poets for the Planet to run two workshops at their launch event at the Society Of Authors in London.
“Poets for the Planet is a community of kindred poets, performers, artists and creative activists raising their voices to engage with climate and ecological emergency through poetry in all its forms.”
This took place on Saturday February 8th, and was a fantastically busy day with a Poem-A-Thon taking place throughout the day, alongside other workshops from Jan Heritage, Grace Pengelly, Dom Bury, Philip Gross and Clare Pollard.
In the evening there was a gala reading featuring Imtiaz Dharker, winner of the Queen’s Gold Medal for Poetry, alongside acclaimed poets Mona Arshi, Hannah Lowe and Jacqueline Saphra.
My workshops, one in the morning and one in the afternoon, were based around my latest chapbook and walking project, Sward : Skin of the Earth, and aimed to get people thinking about their local green and wild spaces, how to write about them and how to value them.
Here’s the blurb from eventbrite:
Skin of the earth: Walking and Ecopoetry
Exploring family memories of and connections to local wild spaces through walking and writing about them. We will look at the writings of Victorian author and naturalist Richard Jefferies and think about the concept of deep topography.
I was delighted that both workshops were well attended and each was very different in flavour! The morning workshop was mostly a talking / thinking / exchanging ideas workshop, and the afternoon workshop was a heads-down writing workshop. As each workshop was only 30 minutes long, a ‘micro-workshop’, I prepared a handout for people to take away with them too.
Sward represents my walks up and down the central reservation of the A240, Kingston Road, from the Tolworth Roundabout to the border of Surrey, where the Royal Borough of Kingston Upon Thames meets the Borough of Epsom and Ewell.
Inspired by Richard Jefferies, the prolific Victorian nature writer, author and walker, whose seminal work Nature Near London contains essays about his walks and observations of Tolworth and the surrounding areas.
Outside Richard Jefferies’ Home – pic by Paul Atkinson
The Plaque at RJ’s house in Ewell Road, Tolworth
Jefferies lived in Tolworth for several years, and last year Alison Fure and myself, as part of our Tolworth Treasure and the Hogsmill Hum project took between 30-40 people on a walk in Richard Jefferies’ Footsteps, aided and abetted by our friend Ben Henderson who very kindly agreed to play the part of Jefferies on the day, and did so with great aplomb, providing us with a sprinkle of magic for our journey.
The walk, which took place on a hot and sunny May Bank Holiday in 2018, was recorded for a show on Radio 4, ‘The Art of Now: Women Who Walk’, celebrating women walking artists, and we were delighted to be involved in this.
Richard Jefferies shares a joke with Tolworth Treasure and the Hogsmill Hum 😉 Pic by Paul Atkinson
Richard Jefferies takes a walk down Tolworth Broadway
Tolworth Court Farm Moated Manor, site of The Barn
This is my last walking and writing on Tolworth for now, although there may be a couple of essays lurking. My family has lived here for generations, since my grandparents came over from Wexford, Ireland during the second world war, and I have spent the last few years walking and writing and thinking and trying to engage other people in the treasures that exist nearby, before they are lost.
Alison and I documented our walks for Tolworth Treasure and the Hogsmill Hum, and were glad to meet lots of lovely local folk and make new friends, and we continue to walk, write, celebrate and try to conserve the nature on our doorsteps.
This year I decided to focus on a small patch of nature, a long, thin one, in the middle of the A240 – a narrow but important nature corridor, with grasses, 20-odd mature trees and lots of wild flowers. I named the project Sward after Richard Jefferies’ use of the word in his writing.
Last year this slim but vital patch of nature was placed under threat of being concreted over from one end to the other, as the proposed Tolworth Area Plan wished to see this an extension of the Tolworth Greenway – green stripy concrete.
This central reservation, which helps pollinators and other fauna find their way across the busy road from one green space to the other (Kingston University Playing Fields and Tolworth Court Farm Fields respectively) must be kept and properly managed. It also does an important job of mitigating air pollution – and providing beauty – something we mustn’t overlook!
I was glad that many objections to this part of the plan were received and it has been dropped, but I worry it will happen anyway in increments, as Tfl will be extending the ‘greenway’ to Tolworth Station. Although at the moment this does not mean the loss of all the grassy and floriferous ‘sward’ I have been walking up and down for the last six months – and seeing all my life, it still could be in the near future…
Alison Fure is leading a Soundwalk as part of her Walks with Jane project, in conjunction with The Museum of Walking, through the Cambridge Estate in Kingston Upon Thames, this Saturday evening, 7th September, 2019.
Meaning “sod, turf” developed from the notion of the “skin” of the earth (compare Old Norse grassvörðr, Danish grønsvær “greensward”).
Walking the central reservation of the A240 Kingston Road, from Tolworth Roundabout to the Royal Borough of Kingston Upon Thames boundary with the Borough of Epsom and Ewell.
The project is called ‘Sward’ after reading Richard Jefferies’ works, and seeing his frequent use of it. I am walking while considering Jefferies’ writing, his prolific walking of the local area. I am also doing this in the context of the present threat of development to the precious and unique green spaces nearby – and possibly to part of the central reservation itself.
I have just pinned Hogsmill Tiddlers to another map, showing the location of the poem, on the Places of Poetry web site. This is an AHRC and Arts Council funded project which “aims to use creative writing to prompt reflection on national and cultural identities in England and Wales, celebrating the diversity, heritage
and personalities of place.”
We still cross the bridge nearly every day on our walks ‘Over the Fields’. Five generations of Furlongs and counting…
It is the Urban Tree Festival this weekend – celebrating London’s amazing Urban Forest. While we celebrate our wonderful leafy friends this weekend, I am also commemorating the significant number of trees that are being destroyed at an unprecedented rate at the moment in the Royal Borough of Kingston Upon Thames. This is not something I want to write about but I made a commitment to focus on climate change in my writing (most of my writing is about that anyway) and so I begin here… we must value and protect our trees! #climateemergency
Well, we thought it would be blazing hot but in the end it was raincoats and brollies weather. A welcome respite from the sultry shimmer of the weeks preceding, and not so wet that we couldn’t wander gently, and stop for a poem or two. Proper British Summer Time drizzle. So, where is this special place in the heart of suburban Tolworth?
It is part of an ancient drove road, in the middle of Tolworth Court Farm Fields, hidden behind hedgerow on the A240. A beautiful wild, nature reserve, which until the 1980s had been farmed for a 1000 years at least, and is mentioned in the Domesday book.
Drove roads were the network of roads used over the centuries to move live stock up and down and across the countryside, all over the UK. There are traces of them everywhere, and where the drove has disappeared in its original rural form, it may be identified by names, including ‘Lane’, ‘Drift’, ‘Ox’, ‘Way’ and many other lexical giveaways.
There are certainly lots of them in this area. On my Over the Fields poetry map is ‘Sheephouse Way’ – a road characterised for its large number of blocks of flats these days, but which is shown with the same name on maps which are 500 years old of the local area, and which I was lucky to see at the St John the Baptist Old Malden Heritage Day, when I was doing my research at the time.
Drove roads avoided toll roads, and were a direct and safe route through the countryside for the drovers who could be taking large flocks of sheep, herds of cattle, or even large numbers of geese or turkeys to market. The largest and most famous of these markets being Smithfields Market in London.
They were wide, as much as 20 metres, and usually hedged on both sides, containing the valuable stock, and also helping to keep the animals safe and stopping them from getting infected by other possibly diseased animals living in farms en route.
How sweet I roamed from field to field
And tasted all the summer’s pride.
Lots have been paved over, but there is a part of ancient drove in the fields in Tolworth which is grass underfoot, with its double hedge intact, and it is a magical place. And this is where we ended up reading poems, in the drizzle and the green, surrounded by hedges already heavy with blackberries and elderberries, interrupted only by an occasional enthusiastic dog plus owner, not used to seeing a large gathering of people reading and chatting in this in-between-space-between-places. Perfect.
I had hoped to sing John Barleycorn, as we were walking just after Lammas, but my voice was croaky, so I read the words to the old song instead. Alison read the John Clare poemInsects, and Elizabeth read a poem My Orcha’d in Lindèn Lea written by Dorset writer and poet William Barnes (1801-1886)
I also read some Keats and Blake and, not forgetting, some Richard Jefferies.
I had also brought with me a beautiful corn dolly, made by the Wheatweaver, but was worried about it getting damaged during the walk / weather, so I left it for our after-walk chat and write at Court Farm Cafe afterwards- it is exquisitely beautiful, and so good to know that someone is keeping these ancient skills alive.
With enclosure, modernisation, the rail network and then the roads, the droves fell into disuse, farming methods changed and the old songs, traditions and seasonal customs faded… it is good to remember we still rely on the land for food, and that the sun (especially this year!) and rain are still intrinsic to what we eventually put on our plates.
Although this land is no longer farmed, it is a nature reserve, with bats, rare butterflies, deer and beautiful wild flowers, including pepper saxifrage, as well as some of the oldest trees in the borough.
Alison, who has been walking this way for many years, as part of her job as an ecologist and bat expert, has a deep knowledge and passion for this place. I have learned a lot from her and am so glad we have been able to go on these walks together.
People who joined us for the walk, who didn’t already know and love Tolworth Court Farm Fields, were amazed at how easy it was to enter, and how beautiful and special it is.
“…The walk along the old drove road felt like being in the depths of the country and I’ll try and walk the meadows when they are in flower next year…”
The latest in our series of Tolworth Treasure and the Hogsmill Hum walks is a walk across Tolworth Court Farm Fields, our local nature reserve.
We will meet at the white bridge over the Hogsmill / Bonesgate Stream at 11am and take you on a journey through the ancient fields of Tolworth Court Farm, which date back to Domesday and beyond!
We will walk down the drovers’ road, and stop for a while to enjoy this beautiful space. If you would like to bring a poem or story to share about Tolworth or to celebrate the summer and the first harvest please do!
Accompanied children are welcome to this family-friendly walk.
Parents are responsible for supervising children throughout the walk and we recommend you bring water / sunscreen / a hat in case the weather is still scorching hot!
Please be aware that as we are hoping to show you as much wildlife as possible we can’t allow dogs on the walk.
Come and discover this gem of Tolworth Treasure
And it is FREE!
Trains: Tolworth Station and walk (approx 10 mins) 406 bus from Surbiton / Kingston / Epsom etc…bus stop nearby
Disclaimer: walks undertaken at participants’ own risk & responsibility. Please contact re. accessibility / mobility.