Mapping Memories, Over the Fields, on the Isle of Wight

Over the Fields poetry map

I am currently preparing for a talk I will be giving this Thursday, 22nd June at Quay Arts, the Isle of Wight’s leading art gallery and venue for live events.  I was thrilled to be invited to speak about my poetry map, Over the Fields, as part of the events and activities taking place around Richard Long’s show, The Isle of Wight as Six Walks, 8th April – 1st July.

Photograph by Bill Mudge

I will be talking about how and why I came to make the map. Regular readers of my (somewhat irregular) blog will know that this was a process of going for walks with my Dad and my son, over 18 months, beginning in January 2014, and ending in August 2015. The map was self-published after being beautifully designed by my best mate, and printed and folded into a pocket-sized A6 fold out full colour working map, with poems on one side and photos and map on the other.

Since then the map and I have been on quite a journey, and I have been able to achieve some of the aims I had for it, and other things have happened which were unexpected but equally wonderful.

Running Through Six Acre Meadow

I will talk about this tiny piece of greenbelt, and the impact it continues to have on my family. I hope you can join me for a walk through the poems and a chance to think about memory, family and place. And walking itself, and why it continues to inspire creativity.

Information and booking here.

Facebook event here.

Thursday 22nd June, 7.30pm – 9.00pm £7

Quay Arts, 15 Sea Street, Newport Harbour, Isle of Wight PO30 5BD

 

 

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Visual Poetry Show at the Museum of Futures, Spring 2017

This Thursday, 23rd February I am thrilled to be reading a new collaborative poem with Susie Campbell at the Futures Camarade, which is part of the launch of the Visual Poetry show at the Museum of Futures in Surbiton. It has been an absolute delight to work with Susie, and we are looking forward to performing the work together for the first time on Thursday evening.

visual-poetry-poster-v3The Facebook event for the Futures Camarade reading and exhibition launch is here (I think it’s going to be a busy night!)

The show is being curated by the inimitable S J Fowler , with assistance from creative writing students Kingston University, and will exhibit work from a diverse range of artists and poets working across the boundaries of visual / textual art. I am very excited to be part of this and can’t wait to see what promises to be a distinctive and unique mix of work in the lovely space of the Museum of Futures.

I am chuffed to have a piece of visual work in the show, and to go with that, a new chapbook, Villiers Path: Scalloped Time, the second publication on the Seethingography imprint from Sampson Low publishers.

More about Villiers Path coming soon….

On Tuesday 28th February I will be hosting a Seething Writers workshop at the Museum of Futures: Seething Writers Go Totally Ekphrastic, where we will be writing in response to the work on show in the exhibition. More information here.

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Ghosts POMs and Panopticons: Writing Workshop at the Morpeth Arms

It's a fair cop Guv'
It’s a fair cop Guv’

This Thursday evening, 16th June, I am delighted to be running a writing workshop as part of SouthWestFest, at the Morpeth Arms pub in Pimlico.

This haunted London pub has a row of holding cells in its cellar, which were used as holding cells for the prisoners of the infamous Millbank Penitentiary which, in the 19th century, stood on the land now occupied by Tate Britain. The prison was built as a panopticon, or ‘all-seeing’ prison, and was designed by Jeremy Bentham, who saw it as “a mill for grinding rogues honest” .

Un-rehabilitated prisoners were taken through the dark maze of tunnels beneath the streets of Pimlico to the lock up under the pub, where they were kept before being put on boats at Millbank pier, and eventually transported ‘Down Under’…

There are records of prisoners and prison officers dying in these cells, and in the tunnels connected to the prison, and as Gary, the landlord at the pub, was telling me when I went to do some research, a team of paranormal enthusiasts have carried out readings in the cells late at night….Brrrrrr

Gary very kindly took me and Sinead Keegan, a trustee of the festival, for a tour of the spooky cells, and answered questions about the pub and its history. As MI5 is situated directly across the river, the Morpeth Arms has some fascinating pictures and snippets of information about famous spies on its walls- which could be great stimulus for a flash fiction thriller!

Do join me in the snug, for what I hope will be an enjoyable couple of hours writing stories inspired by this fascinating place!

The workshop is FREE but numbers are limited so please email me to book your place: words@lucyfurlong.com and see the Facebook event here.

Ghosts, POMS and Panopticons at The Morpeth Arms, Thursday 16th June from 7.30-9.30pm, 58 Millbank, Westminster, London, SW1P 4RW

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Geography Workshop Presents: Her Outdoors

 

This Thursday, 14th April, on the mighty Resonance FM, from 8-9pm:

er indoors 2

Clear Spot

Geography Workshop Presents….Her Outdoors. Geography Workshop Presents questions assumptions about the ways in which our world is imagined. In this first programme, artists and writers Karen Lloyd, Alison Lloyd, Lucy Furlong and Morag Rose reflect on walking as practise, informed by the pejorative phrase ‘Er Indoors’. How does their work and the embodied practise of walking inform the way they narrate, enrich and question the narratives that dominate nature-writing, landscape and psycho-geography? Presented by Dr Jo Norcup. [Repeated Friday 9am.]

er indoors 1

Thanks to Jo Norcup for inviting me to be involved. I had a great time meeting and talking with everyone, and felt inspired and fired-up afterwards.

I hope you enjoy listening in!

 

Landscaping Change Conference at Bath Spa University

Photograph by Bill Mudge
Photograph by Bill Mudge

Next week I am taking my Over the Fields poetry map to the Landscaping Change conference at Bath Spa University:

“Exploring the transformation, reconstitution and disruption of environments through the arts and humanities and social science.”

I will be talking about why I decided to make a map about this small strip of greenbelt on the boundaries between several places, on the edge of Greater London. I will also speak about the process for doing it and how the poems took shape.

We have continued to walk Over the Fields since the map was published, and I have carried on documenting our walks with writing and photos, with the aim of sustaining and extending my, and my family’s relationship with this place, and finding out what it means to other people too.

I am very excited to have the opportunity to engage with the themes of this conference and to take part in the important  and timely conversation that the conference will engender.

More about the conference here.

Lurgy, Climate Change and Hobbitses

 

Last Sunday me, my son and my dad went for our first proper walk Over the Fields this year. We have all been poorly and the weather has been rubbish but I was desperate to get out and have a walk over there in time for Imbolc/ Candlemas. This is the traditional time of year for sighting the first snowdrops, and maybe to see buds and Blackthorn blossom. With such a mild Winter there was plenty of new green shoots to see, trees in full blossomy bloom, new nettles and dock leaves, hawthorn leaves unfurling… I wrote about the walk for local ecologist Alison Fure’s excellent blog, and you can read what I wrote here.

On Monday afternoon I finally gave up battling with the lurgy I’ve had on and off since mid-December, and went to bed. I’ve been there ever since, apart from a trip to the doctor on Friday. Eye infection, throat infection, chest virus, acute exacerbation of asthma…I’ve been fighting it for ages but finally it got the better of me. This has resulted in a week of cancelled teaching. Not great when you are a self-employed single parent… but…mustn’t grumble eh… my son is being looked after by my amazing dad, and I am safe and warm, if feeling particularly grim.

The silver lining is that being stuck in bed means I have watched a few films. Most affecting of these is This Changes Everything, narrated by Naomi Klein and based on her book of the same name. I need to watch it again and I would recommend that you need to watch it too. So should everyone. It is tough to watch in places but breathtakingly filmed and well put together. A mixture of environmental disaster and tragedy, and the heartening, brave protests of people on the front line, whose land and lives are being profoundly affected by the atrocities of fossil fuel companies and big business. The message is clear and simple. Capitalism vs the Climate- if we don’t fight it we are doomed. Now I need to read the book.

I also watched all of the Hobbit film trilogy- and been for the most part pleasantly surprised; I saw and enjoyed the first one at the flicks, missed the second and third, and was put off watching them by a couple of friends who said the story was poorly handled, there was far too much emphasis on spiders, and that the book had been done a total disservice by the drawing out of the plot to nearly 9 hours of film…I loved the LOTR films but was, like many people, rather surprised and slightly cynical at the announcement that the Hobbit would be made as a three-part series of prequels.

So…slightly late to the party…I watched the final two parts this week. Yes, the story is drawn out but I think it’s ok, if a bit baggy . I find the use of CGI action scenes which look like computer games (and *are* constructed for the computer games market- I know, the biggest part of the film business these days) distracting and annoying- formulaic and jammed into the action of the films- but, otherwise, I thoroughly enjoyed The Desolation of Smaug and The Battle of the Five Armies- and I would happily watch them again.

After watching This Changes Everything, The Hobbit trilogy of films became a metaphor for the rampaging greed of capitalism destroying nature, Power Over instead of Power With.

I am also re-reading Rebecca Solnit’s Wanderlust: A History of Walking- a fascinating, wonderful read and, as this year I am especially committed to developing my walking/writing/making practice, a necessary one too. Once again, in light of what Klein says at the start of This Changes Everything, about the idea promulgated during the Enlightenment, of Nature as something to be conquered and used for ‘our’ benefit- the history of walking ties in, in some ways, with this view of what Nature is and is not…thought-provoking stuff and I will be returning to it again and again no doubt.