Mapping Memories, Over the Fields, on the Isle of Wight

Over the Fields poetry map

I am currently preparing for a talk I will be giving this Thursday, 22nd June at Quay Arts, the Isle of Wight’s leading art gallery and venue for live events.  I was thrilled to be invited to speak about my poetry map, Over the Fields, as part of the events and activities taking place around Richard Long’s show, The Isle of Wight as Six Walks, 8th April – 1st July.

Photograph by Bill Mudge

I will be talking about how and why I came to make the map. Regular readers of my (somewhat irregular) blog will know that this was a process of going for walks with my Dad and my son, over 18 months, beginning in January 2014, and ending in August 2015. The map was self-published after being beautifully designed by my best mate, and printed and folded into a pocket-sized A6 fold out full colour working map, with poems on one side and photos and map on the other.

Since then the map and I have been on quite a journey, and I have been able to achieve some of the aims I had for it, and other things have happened which were unexpected but equally wonderful.

Running Through Six Acre Meadow

I will talk about this tiny piece of greenbelt, and the impact it continues to have on my family. I hope you can join me for a walk through the poems and a chance to think about memory, family and place. And walking itself, and why it continues to inspire creativity.

Information and booking here.

Facebook event here.

Thursday 22nd June, 7.30pm – 9.00pm £7

Quay Arts, 15 Sea Street, Newport Harbour, Isle of Wight PO30 5BD

 

 

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Geography Workshop Presents: Her Outdoors

 

This Thursday, 14th April, on the mighty Resonance FM, from 8-9pm:

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Clear Spot

Geography Workshop Presents….Her Outdoors. Geography Workshop Presents questions assumptions about the ways in which our world is imagined. In this first programme, artists and writers Karen Lloyd, Alison Lloyd, Lucy Furlong and Morag Rose reflect on walking as practise, informed by the pejorative phrase ‘Er Indoors’. How does their work and the embodied practise of walking inform the way they narrate, enrich and question the narratives that dominate nature-writing, landscape and psycho-geography? Presented by Dr Jo Norcup. [Repeated Friday 9am.]

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Thanks to Jo Norcup for inviting me to be involved. I had a great time meeting and talking with everyone, and felt inspired and fired-up afterwards.

I hope you enjoy listening in!

 

Mapping Memories, Over the Fields talk at The Museum of Futures

I am currently writing a talk about the new Over the Fields poetry map called ‘Mapping Memories’, for the Free University of Seething’s lecture series. My talk takes place next Tuesday, 19th January at the Museum of Futures,Brighton Road, Surbiton (Facebook event here). More about the delightful world of Seething in another post soon….
I’ve spoken about the map several times in the past but not since it was published. I will be talking about why I decided to write about the space my family calls ‘Over the Fields’, and why this had to be a poetry map and not a book. I will also discuss some of the history of the place, read some poems and talk about what I hope to do with it next. Hope to see you there!

 

Walking into 2016

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sunset at Avebury, December 28th 2015

I haven’t been blogging much recently- in fact hardly at all. 2015 turned into a crazy, exciting, busy year, creatively. As a result, I found at the end of the year that I had dropped some important threads, including my blog. I hope to pick up where I left off and carry on knitting this strangely-shaped patchwork blanket of random writings on a much more regular basis. Call it a New Year’s Resolution if you like, maybe it is one – my blog has been a writing rudder in the past, steering me through events, successes, failures, moods, frustrations and obsessions…and I hope it will do that again.

Lots of great stuff happened last year – I feel very grateful and fortunate to have met and worked with some lovely, talented and generous people, and to have achieved some of my ambitions for my writing. I will write more about this but I don’t know if that will happen here and now…it might happen randomly and at will, rather than any attempt to be chronological and consistent and comprehensive…

It was good to go away at Christmas and New Year and take a much-needed breather and see some new places and friendly faces.

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hide and seek at the stones, Avebury

We traveled to stay in a tiny cottage on the edge of a farm in Wiltshire, where I hoovered up Viv Albertine’s memoir in a couple of days; wandered around Avebury re-acquainting myself with its stones and trees, after eating lunch in the Red Lion; found a tiny magical part of Calne; stayed in a very rainy Bath and re-visited the Roman Baths and Sally Lunn’s – amazing lavender cake with rose buttercream filling!

Then we were very lucky to be invited to stay with one of oldest friends and her partner and sons in Cardiff, where we saw the New Year in hearing socialist anthems sang exquisitely by members of Cardiff Reds Choir, who happen to live two doors down from my friend’s house, and who were having a party, which we were then invited to. The next two days were filled with trips to the funfair and Dr Who Experience, home-made curry and apple pie…a great way to see the New Year in – best one I’ve had in years. Thanks for everything, Tania XXX

 

 

Carshalton-On-Sea Festival

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This has all come together rather quickly, and impressively, and I am delighted to be so involved. The main event for me and my other poetical colleagues, Sarah Dawson, Neil Horabin and David Russamano, is the Water Poets at 1pm in the Cryer Theatre, Saturday 20th June. There will be tonnes of other excellent stuff to see and do over the weekend!

The Launch of clew

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On Saturday 18th April, at the Duke of York pub in St Werburghs in Bristol my first pamphlet, clew, published by Hesterglock Press, was launched. This was along with Sarer Scotthorne’s first pamphlet, The Blood House, and Paul Hawkins’s first full length collection from Erbacce press, Contumacy

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l-r: Sheer Zed, Sarer Scotthorne, me, Paul Hawkins

As part of the Bristol Spring Poetry Festival this was a wonderful evening of us three poets coming together to read our work, and celebrate. Sheer Zed, a  fantastic multi-talented electronic musician, provided soundscapes to some of the poems, and a great set of his own work.

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It was a pleasure to be back at this lovely pub in a corner of the city that I spent time in occasionally when I lived in  Bristol many years ago. Strange and synchronistic to be back reading poetry and launching my first collection here, after ten years to the month of leaving. Also, to be supported by dear friends living there, who I have stayed in touch with, and amazingly, to have four brilliant mates from Wales drive across for the evening! And to meet and chat with new people in this friendly, vibrant place

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Sarer and Paul gave superb readings, hugely talented performers, and unique voices in poetry individually, as well as the partnership behind Hesterglock Press, which also publishes the vital Boscombe Revolution / Bosc:Rev magazine. I was chuffed to finally meet with Sheer Zed too, who I have been communicating with on social media for a while.

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I’m so grateful to Zed for composing soundtracks for some of my work. As someone who started off many years ago by singing in a band and making experimental music, it was really exciting to ‘out’ my frustrated vocalist and have that additional musical dimension to my work. I hope we get to work together again.

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There are plans to do a similar event in London but not sure when- keep an eye on the blog for details.

In the meantime Sarer and Paul’s work can be found via Hesterglock Press and Paul’s web site- I wrote a brief review of The Blood House, and have since spent more time with it and I would recommend you do so too. Here is Andie Berryman’s review of it. I have also read and re-read Contumacy, and it contains my favourite poem from last year which I return to over and over. Steve Willey wrote a great piece about it here.

Back on the 21st March, Sarer and Paul appeared on Jude Cowan Montague’s radio show, The News Agents on Resonance FM. Sarer beautifully read my poem, The Cleaning Cupboard, which was published in issue 3 of Boscombe Revolution. It’s a great programme with Jude and co-host Alice Foster discussing Hesterglock Press, and talking with Paul and Sarer about their work, including Paul’s up and coming publication, Place/Waste/Dissent, which is going to be published by Influx Press in October 2015. Listen in here!

Submissions to Bosc:Rev are open for the next issue- more info here.

Listen to some of Sheer Zed’s amazing remixes of poems by Sarer, Paul and me here.

You can buy my pamphlet clew here.

“Read ‘clew’ for a window on our times and a reminder of how poetry remains a resistant art.”Siobhán Campbell; poet

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Rhythm & Muse : It’s been Ekphrastic

Rhythm and Muse has its final evening of poetry and music tonight, at the Ram Jam club in Kingston Upon Thames. I am very sorry to miss it due to other long-standing plans but I will be thinking of them.

The Grey Horse pub, which the Ram Jam club is part of, is going to be under new ownership from January 2015, so this will be the last regular Rhythm and Muse event for a while. But it won’t be the end of R&M, and there may be festival specials and other goodies to look forward to- the advice is to check the website and facebook for updates.

If you can go tonight I would urge you to do so. Apart from the terrific lineup, including the inimitable LiTTLe MACHiNe, who Carol Ann Duffy declares are ‘The most brilliant music and poetry band I’ve seen in decades’ (see below), there will be plenty of festive cheer. If you are very lucky you may even get to witness the on-the-spot poetry of Nick Poole- once witnessed, never to be forgotten! Most of all, I can guarantee you will have lots of fun.

I found out about Rhythm and Muse while I was a student at Kingston University, and soon went along to experience the delights on offer. I found a dynamic mix of musical acts and excellent poets performing in a small, ram-jam packed venue. I have witnessed some great poetry at R&M, from the likes of Roger McGough, Martin Daws, Mario Petrucci, A F Harrold, Katrina Naomi and many many others – you can see the full list here.

One of the best things about R&M is its enthusiastic and loyal audience, who were also willing to listen to anyone who was brave enough to sign up  for an open mic spot. I’ve read my work many times, and benefitted from the friendly and supportive atmosphere. I took part in the legendary R&M Slam, writing a poem written especially for the occasion, which has become a staple of many of my readings since. The open mic at R&M in particular has been very important in helping me to gain confidence and find my voice as a poet, and I am very grateful for it.

I was at Rhythm and Muse’s night at The Rose Theatre, where I was lucky enough to see John Cooper Clarke, and, afterwards, to see my review of the show published and syndicated through the local press.

R&M’s longstanding relationship with Kingston University has seen them organise creative writing workshops at the Stanley Picker Gallery, of which I am fortunate enough to have attended a couple. One of these bore fruit in the form of a whole R&M night devoted to the poems and writings which were inspired by The Liquid Game, Boudicca’s incredible installation in the gallery, earlier this year.

Kingston Writing School has held events with R&M on campus, and many of my peers who studied creative writing at Kingston University have read their poems at Rhythm and Muse open mic, and students I have taught have carried on the tradition.

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A massive Congratulations to Alison Hill, Alice Thurling, Nick Poole, Judith Watts and everyone who has helped to make Rhythm and Muse such a success and such an important part of the creative life of us local poets and writers. It will be missed. Thank you!