Blossom to Fruit Writing Workshop at Kingston Environment Centre, 4th March 2017

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As part of Apple Day at Kingston Environment Centre, on Saturday 4th March, I will be doing this!

Blossom to Fruit: A writing workshop to explore our relationship with fruit and trees, their histories and our memories…

Write about your favourite pear tree, your grandma’s apple pie, be inspired by our local history of orchards and fruit-growing; is there a particular variety of apple you would like to pay homage to? We will explore all these possibilities and more at the start of Kingston Environment Centre’s Apple Day.

£10 per place-  this will be a donation towards raising funds for a leaflet about the Borough’s Apple Story. More about Alison’s fundraising here. This is an important part of our local heritage and I am hoping we can help Alison achieve her aim by having fun writing about our relationships with fruit and trees!

12 places available- please book in advance to secure your place!

Lucy 07859997617 or Alison 07867507086

Time: 10.30-12 midday

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this is a picture of my Dad telling me stories about crab apples…

 

Please come! This will be the start of a wonderful day of apple and orchard related talks and activities.

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Visual Poetry Show at the Museum of Futures, Spring 2017

This Thursday, 23rd February I am thrilled to be reading a new collaborative poem with Susie Campbell at the Futures Camarade, which is part of the launch of the Visual Poetry show at the Museum of Futures in Surbiton. It has been an absolute delight to work with Susie, and we are looking forward to performing the work together for the first time on Thursday evening.

visual-poetry-poster-v3The Facebook event for the Futures Camarade reading and exhibition launch is here (I think it’s going to be a busy night!)

The show is being curated by the inimitable S J Fowler , with assistance from creative writing students Kingston University, and will exhibit work from a diverse range of artists and poets working across the boundaries of visual / textual art. I am very excited to be part of this and can’t wait to see what promises to be a distinctive and unique mix of work in the lovely space of the Museum of Futures.

I am chuffed to have a piece of visual work in the show, and to go with that, a new chapbook, Villiers Path: Scalloped Time, the second publication on the Seethingography imprint from Sampson Low publishers.

More about Villiers Path coming soon….

On Tuesday 28th February I will be hosting a Seething Writers workshop at the Museum of Futures: Seething Writers Go Totally Ekphrastic, where we will be writing in response to the work on show in the exhibition. More information here.

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Geography Workshop Presents: Her Outdoors

 

This Thursday, 14th April, on the mighty Resonance FM, from 8-9pm:

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Clear Spot

Geography Workshop Presents….Her Outdoors. Geography Workshop Presents questions assumptions about the ways in which our world is imagined. In this first programme, artists and writers Karen Lloyd, Alison Lloyd, Lucy Furlong and Morag Rose reflect on walking as practise, informed by the pejorative phrase ‘Er Indoors’. How does their work and the embodied practise of walking inform the way they narrate, enrich and question the narratives that dominate nature-writing, landscape and psycho-geography? Presented by Dr Jo Norcup. [Repeated Friday 9am.]

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Thanks to Jo Norcup for inviting me to be involved. I had a great time meeting and talking with everyone, and felt inspired and fired-up afterwards.

I hope you enjoy listening in!

 

Over the Fields in The Countryman magazine

 

I am delighted to report that Over the Fields, my new poetry map, was featured in the February edition of The Countryman magazine, as part of the Editor’s Diary: “…a fascinating ‘poetry map’, Over the Fields, containing evocative poems and prose fragments, which can also be read in situ, allowing people to read and respond to the poems…”

Alongside the feature they have published a poem from the map, Hogsmill Tiddlers.

If you would like a map click here.

 

The Nonsuch Poems by Bernard Jacobs

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The Nonsuch Poems by Bernard Jacobs

 

 

 

 

 

 

 

 

 

 

 

 

 

In January 2015 I went to speak about my writing, especially the poetry maps, Amniotic City, and the then still-in-development Over the Fields, at Sutton Writers. I met Bernard Jacobs after my talk, a local writer, who was inspired to write poems about Nonsuch Park, near to where he lives in Surrey.

The Park, originally much larger than it is now, was created in 1538 by Henry VIII to celebrate the 30th year of his accession and the birth of his son, the future Edward VI. It came very close to ‘Over the Fields’ territory, and there is a possibility that Henry hunted across the land that I have been exploring in my new map. James I certainly laid claim to some of it during his reign.

It has been great to hear of Bernard’s progress with this project, and now to see it published. This lovely book is the result. It is a mixture of fine poems, each written in a different form, and the historical context of each, providing readers with both a creative and historical narrative about this fascinating place.

I am going to take my copy to Nonsuch Park and read it again in situ.

 

Lurgy, Climate Change and Hobbitses

 

Last Sunday me, my son and my dad went for our first proper walk Over the Fields this year. We have all been poorly and the weather has been rubbish but I was desperate to get out and have a walk over there in time for Imbolc/ Candlemas. This is the traditional time of year for sighting the first snowdrops, and maybe to see buds and Blackthorn blossom. With such a mild Winter there was plenty of new green shoots to see, trees in full blossomy bloom, new nettles and dock leaves, hawthorn leaves unfurling… I wrote about the walk for local ecologist Alison Fure’s excellent blog, and you can read what I wrote here.

On Monday afternoon I finally gave up battling with the lurgy I’ve had on and off since mid-December, and went to bed. I’ve been there ever since, apart from a trip to the doctor on Friday. Eye infection, throat infection, chest virus, acute exacerbation of asthma…I’ve been fighting it for ages but finally it got the better of me. This has resulted in a week of cancelled teaching. Not great when you are a self-employed single parent… but…mustn’t grumble eh… my son is being looked after by my amazing dad, and I am safe and warm, if feeling particularly grim.

The silver lining is that being stuck in bed means I have watched a few films. Most affecting of these is This Changes Everything, narrated by Naomi Klein and based on her book of the same name. I need to watch it again and I would recommend that you need to watch it too. So should everyone. It is tough to watch in places but breathtakingly filmed and well put together. A mixture of environmental disaster and tragedy, and the heartening, brave protests of people on the front line, whose land and lives are being profoundly affected by the atrocities of fossil fuel companies and big business. The message is clear and simple. Capitalism vs the Climate- if we don’t fight it we are doomed. Now I need to read the book.

I also watched all of the Hobbit film trilogy- and been for the most part pleasantly surprised; I saw and enjoyed the first one at the flicks, missed the second and third, and was put off watching them by a couple of friends who said the story was poorly handled, there was far too much emphasis on spiders, and that the book had been done a total disservice by the drawing out of the plot to nearly 9 hours of film…I loved the LOTR films but was, like many people, rather surprised and slightly cynical at the announcement that the Hobbit would be made as a three-part series of prequels.

So…slightly late to the party…I watched the final two parts this week. Yes, the story is drawn out but I think it’s ok, if a bit baggy . I find the use of CGI action scenes which look like computer games (and *are* constructed for the computer games market- I know, the biggest part of the film business these days) distracting and annoying- formulaic and jammed into the action of the films- but, otherwise, I thoroughly enjoyed The Desolation of Smaug and The Battle of the Five Armies- and I would happily watch them again.

After watching This Changes Everything, The Hobbit trilogy of films became a metaphor for the rampaging greed of capitalism destroying nature, Power Over instead of Power With.

I am also re-reading Rebecca Solnit’s Wanderlust: A History of Walking- a fascinating, wonderful read and, as this year I am especially committed to developing my walking/writing/making practice, a necessary one too. Once again, in light of what Klein says at the start of This Changes Everything, about the idea promulgated during the Enlightenment, of Nature as something to be conquered and used for ‘our’ benefit- the history of walking ties in, in some ways, with this view of what Nature is and is not…thought-provoking stuff and I will be returning to it again and again no doubt.

The Launch of clew

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On Saturday 18th April, at the Duke of York pub in St Werburghs in Bristol my first pamphlet, clew, published by Hesterglock Press, was launched. This was along with Sarer Scotthorne’s first pamphlet, The Blood House, and Paul Hawkins’s first full length collection from Erbacce press, Contumacy

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l-r: Sheer Zed, Sarer Scotthorne, me, Paul Hawkins

As part of the Bristol Spring Poetry Festival this was a wonderful evening of us three poets coming together to read our work, and celebrate. Sheer Zed, a  fantastic multi-talented electronic musician, provided soundscapes to some of the poems, and a great set of his own work.

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It was a pleasure to be back at this lovely pub in a corner of the city that I spent time in occasionally when I lived in  Bristol many years ago. Strange and synchronistic to be back reading poetry and launching my first collection here, after ten years to the month of leaving. Also, to be supported by dear friends living there, who I have stayed in touch with, and amazingly, to have four brilliant mates from Wales drive across for the evening! And to meet and chat with new people in this friendly, vibrant place

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Sarer and Paul gave superb readings, hugely talented performers, and unique voices in poetry individually, as well as the partnership behind Hesterglock Press, which also publishes the vital Boscombe Revolution / Bosc:Rev magazine. I was chuffed to finally meet with Sheer Zed too, who I have been communicating with on social media for a while.

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I’m so grateful to Zed for composing soundtracks for some of my work. As someone who started off many years ago by singing in a band and making experimental music, it was really exciting to ‘out’ my frustrated vocalist and have that additional musical dimension to my work. I hope we get to work together again.

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There are plans to do a similar event in London but not sure when- keep an eye on the blog for details.

In the meantime Sarer and Paul’s work can be found via Hesterglock Press and Paul’s web site- I wrote a brief review of The Blood House, and have since spent more time with it and I would recommend you do so too. Here is Andie Berryman’s review of it. I have also read and re-read Contumacy, and it contains my favourite poem from last year which I return to over and over. Steve Willey wrote a great piece about it here.

Back on the 21st March, Sarer and Paul appeared on Jude Cowan Montague’s radio show, The News Agents on Resonance FM. Sarer beautifully read my poem, The Cleaning Cupboard, which was published in issue 3 of Boscombe Revolution. It’s a great programme with Jude and co-host Alice Foster discussing Hesterglock Press, and talking with Paul and Sarer about their work, including Paul’s up and coming publication, Place/Waste/Dissent, which is going to be published by Influx Press in October 2015. Listen in here!

Submissions to Bosc:Rev are open for the next issue- more info here.

Listen to some of Sheer Zed’s amazing remixes of poems by Sarer, Paul and me here.

You can buy my pamphlet clew here.

“Read ‘clew’ for a window on our times and a reminder of how poetry remains a resistant art.”Siobhán Campbell; poet

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