Un-rehabilitated prisoners were taken through the dark maze of tunnels beneath the streets of Pimlico to the lock up under the pub, where they were kept before being put on boats at Millbank pier, and eventually transported ‘Down Under’…
Panopticon Prison Plan
Millbank Pier (with MI5 in the background)
There are records of prisoners and prison officers dying in these cells, and in the tunnels connected to the prison, and as Gary, the landlord at the pub, was telling me when I went to do some research, a team of paranormal enthusiasts have carried out readings in the cells late at night….Brrrrrr
Gary very kindly took me and Sinead Keegan, a trustee of the festival, for a tour of the spooky cells, and answered questions about the pub and its history. As MI5 is situated directly across the river, the Morpeth Arms has some fascinating pictures and snippets of information about famous spies on its walls- which could be great stimulus for a flash fiction thriller!
Do join me in the snug, for what I hope will be an enjoyable couple of hours writing stories inspired by this fascinating place!
The workshop is FREE but numbers are limited so please email me to book your place: firstname.lastname@example.org and see the Facebook event here.
Ghosts, POMS and Panopticons at The Morpeth Arms, Thursday 16th June from 7.30-9.30pm, 58 Millbank, Westminster, London, SW1P 4RW
Geography Workshop Presents….Her Outdoors. Geography Workshop Presents questions assumptions about the ways in which our world is imagined. In this first programme, artists and writers Karen Lloyd, Alison Lloyd, Lucy Furlong and Morag Rose reflect on walking as practise, informed by the pejorative phrase ‘Er Indoors’. How does their work and the embodied practise of walking inform the way they narrate, enrich and question the narratives that dominate nature-writing, landscape and psycho-geography? Presented by Dr Jo Norcup. [Repeated Friday 9am.]
Thanks to Jo Norcup for inviting me to be involved. I had a great time meeting and talking with everyone, and felt inspired and fired-up afterwards.
I will be talking about why I decided to make a map about this small strip of greenbelt on the boundaries between several places, on the edge of Greater London. I will also speak about the process for doing it and how the poems took shape.
Over the Fields walk, March 2016
Over the Fields walk, January 2016
We have continued to walk Over the Fields since the map was published, and I have carried on documenting our walks with writing and photos, with the aim of sustaining and extending my, and my family’s relationship with this place, and finding out what it means to other people too.
I am very excited to have the opportunity to engage with the themes of this conference and to take part in the important and timely conversation that the conference will engender.
I am delighted to report that Over the Fields, my new poetry map, was featured in the February edition of The Countryman magazine, as part of the Editor’s Diary: “…a fascinating ‘poetry map’, Over the Fields, containing evocative poems and prose fragments, which can also be read in situ, allowing people to read and respond to the poems…”
Alongside the feature they have published a poem from the map, Hogsmill Tiddlers.
In January 2015 I went to speak about my writing, especially the poetry maps, Amniotic City, and the then still-in-development Over the Fields, at Sutton Writers. I met Bernard Jacobs after my talk, a local writer, who was inspired to write poems about Nonsuch Park, near to where he lives in Surrey.
The Park, originally much larger than it is now, was created in 1538 by Henry VIII to celebrate the 30th year of his accession and the birth of his son, the future Edward VI. It came very close to ‘Over the Fields’ territory, and there is a possibility that Henry hunted across the land that I have been exploring in my new map. James I certainly laid claim to some of it during his reign.
It has been great to hear of Bernard’s progress with this project, and now to see it published. This lovely book is the result. It is a mixture of fine poems, each written in a different form, and the historical context of each, providing readers with both a creative and historical narrative about this fascinating place.
I am going to take my copy to Nonsuch Park and read it again in situ.
A lovely and unexpected thing that happened as part of making my Over the Fields poetry map, was that I was asked to be part of photographer Bill Mudge‘s project 20 in 15: The Lives of Artists. He spent last year photographing artists at work, documenting their creative processes and working environments.
Of the project Bill says: “20 in 15 encapsulates the significance of the creative arts in our communities, giving a unique insight into the lives of creative people and what it takes to make a living from the creative process; from finding studio space to exhibiting, educating and selling work…” Please visit the website for more information and to see who else took part – all types of artists from ceramicists to composers to puppeteers!
At the point where the new map was coming together, I met Bill one hot September day, at St John the Baptist church in Old Malden, an important location on the map. He took photos of me walking through the fields, as I checked all the locations and details on the map were correct, a kind of ‘proofing-in-situ’.
Then he came with me to meet Mel, who is the genius behind the artwork and production of Over the Fields, and took photos of us working together on the final edits and proofing of the map before it went to print. It was a pleasure meeting and working with Bill; it added another perspective to my own project, allowing me to reflect on my creative processes and the environment(s) I work in, as a poet/writer/walking artist.
I am very grateful to him for being so generous with his work and allowing me to use the beautiful photographs he took, a couple of which are here, and on my web site.