#NationalMeadowsDay poetry challenge. Have you written a poem about meadows? If inspired please join me and David Hill in celebrating our countryside. This is a one off challenge. All poems will feature on my website. Artworks welcome too. DM me for my email address

Thanks to Paul Brookes at Wombwell Rainbow for featuring my poem Six Acre Meadow here today, as part of #NationalMeadowDay

The Wombwell Rainbow

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The flower meadows at RSPB OLd Moor

-Paul Brookes

LucyFurlong_OTF-Map-HR[84170]Lucy Furlong OTF_6AcreMeadow_walk2015_resize[84169]Lucy Furlong OTF_Ophelia_2014_resize[84168]Six Acre Meadow

I

It was just ‘the field the other side of the second bridge’
which led to nowhere but, here, looking across the river,
you knew the manor house was there,
you could hardly see it through the trees then, maybe elms,
couldn’t see it when you went up by the church.

The old barn was on the right hand side below the church
at the bottom of the manor house land, ramshackle unromantic
surrounded by scrub but attractive for its intact hayloft
you climbed through a barbed wire fence, and climbed up
thrilled in successfully trespassing the forbidden space

Four of us got caught once by a man holding a shotgun.
We claimed to be from Worcester Park to throw them off the scent,
some of the other lads came up the hill, saw us being led away,

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Verse Aid : Poems for the Earth

Back in January I was honoured to be invited by Poets for the Planet to run two workshops at their launch event at the Society Of Authors in London.

“Poets for the Planet is a community of kindred poets, performers, artists and creative activists raising their voices to engage with climate and ecological emergency through poetry in all its forms.”

This took place on Saturday February 8th, and was a fantastically busy day with a Poem-A-Thon taking place throughout the day, alongside other workshops from Jan Heritage, Grace Pengelly, Dom Bury, Philip Gross and Clare Pollard.

In the evening there was a gala reading featuring Imtiaz Dharker, winner of the Queen’s Gold Medal for Poetry, alongside acclaimed poets Mona Arshi, Hannah Lowe and Jacqueline Saphra.

My workshops, one in the morning and one in the afternoon, were based around my latest chapbook and walking project, Sward : Skin of the Earth, and aimed to get people thinking about their local green and wild spaces, how to write about them and how to value them.

Here’s the blurb from eventbrite:

Skin of the earth: Walking and Ecopoetry

Exploring family memories of and connections to local wild spaces through walking and writing about them. We will look at the writings of Victorian author and naturalist Richard Jefferies and think about the concept of deep topography.

I was delighted that both workshops were well attended and each was very different in flavour! The morning workshop was mostly a talking / thinking / exchanging ideas workshop, and the afternoon workshop was a heads-down writing workshop. As each workshop was only 30 minutes long,  a ‘micro-workshop’, I prepared a handout for people to take away with them too.

The monies raised went to two amazing charities:

Founded in 1993, Bees for Development was the first organisation to articulate the reasons why beekeeping is such a useful tool for alleviating poverty while helping to retain biodiversity. http://www.beesfordevelopment.org

International Environmental Charity Earthwatch brings together world-class scientists and individuals from all works of life to work for the good of the planet.

I also took part in the Poem-A-Thon, reading from Sward, and raised money again for Bees for Development – and thanks to everyone who sponsored and supported me!

 

Sward {skin of the earth}

My new chapbook, Sward {skin of the earth}, published by Sampson Low Ltd, is available for purchase here

Buy Now button
£3.85 incl UK p+p

Sward represents my walks up and down the central reservation of the A240, Kingston Road, from the Tolworth Roundabout to the border of Surrey, where the Royal Borough of Kingston Upon Thames meets the Borough of Epsom and Ewell.

Inspired by Richard Jefferies, the prolific Victorian nature writer, author and walker, whose seminal work Nature Near London contains essays about his walks and observations of Tolworth and the surrounding areas.

Jefferies lived in Tolworth for several years, and last year Alison Fure and myself, as part of our Tolworth Treasure and the Hogsmill Hum project took between 30-40 people on a walk in Richard Jefferies’ Footsteps, aided and abetted by our friend Ben Henderson who very kindly agreed to play the part of Jefferies on the day, and did so with great aplomb, providing us with a sprinkle of magic for our journey.

The walk, which took place on a hot and sunny May Bank Holiday in 2018, was recorded for a show on Radio 4,The Art of Now: Women Who Walk’,  celebrating women walking artists, and we were delighted to be involved in this.

This is my last walking and writing on Tolworth for now, although there may be a couple of essays lurking. My family has lived here for generations, since my grandparents came over from Wexford, Ireland during the second world war, and I have spent the last few years walking and writing and thinking and trying to engage other people in the treasures that exist nearby, before they are lost.

Alison and I documented our walks for Tolworth Treasure and the Hogsmill Hum, and were glad to meet lots of lovely local folk and make new friends, and we continue to walk, write, celebrate and try to conserve the nature on our doorsteps.

This year I decided to focus on a small patch of nature, a long, thin one, in the middle of the A240 – a narrow but important nature corridor, with grasses, 20-odd mature trees and lots of wild flowers. I named the project Sward after Richard Jefferies’ use of the word in his writing.

Last year this slim but vital patch of nature was placed under threat of being concreted over from one end to the other, as the proposed Tolworth Area Plan wished to see this an extension of the Tolworth Greenway – green stripy concrete.

This central reservation, which helps pollinators and other fauna find their way across the busy road from one green space to the other (Kingston University Playing Fields and Tolworth Court Farm Fields respectively) must be kept and properly managed. It also does an important job of mitigating air pollution – and providing beauty – something we mustn’t overlook!

I was glad that many objections to this part of the plan were received and it has been dropped, but I worry it will happen anyway in increments, as Tfl will be extending the ‘greenway’ to Tolworth Station. Although at the moment this does not mean the loss of all the grassy and floriferous ‘sward’ I have been walking up and down for the last six months – and seeing all my life, it still could be in the near future…

 

Cambridge Road Estate Tree Poems

Below are two of the poems I wrote specially for and read on Alison Fure’s Walk with Jane Soundwalk with the Museum of Walking back in September.

There is another soundwalk taking place on Saturday 19th October from 10.30am. It is FREE but please book via the Walk with Jane website. See Alison’s blog for a guest post about the walk from Alison Whybrow.

Walk with Jane on the Cambridge Estate

Ecologist, bat expert and walking artist Alison Fure

Alison Fure is leading a Soundwalk as part of her Walks with Jane project, in conjunction with The Museum of Walking, through the Cambridge Estate in Kingston Upon Thames, this Saturday evening, 7th September, 2019.

From the Museum of Walking website event page:

 

 

 

 

 

 

 

 

 

 

 

This Soundwalk will explore the wildlife and human ecology on this large estate with 230 trees.

We will listen to the web of life from replayed recordings of bird song, talking heads and listen to bats in real time (bat detection equipment provided).

This event is free but booking is essential – Call +44 (0) 7867507086

  • 19.00 start – meeting place will be revealed on booking 
  • Walk with Jane listening to the sounds of a local community
  • 20.00 listen to bats in real time (bat detection equipment provided)
  • 20.30 finish
Me and the Witness Tree, Museum of Futures, 2018. Pic by Madeleine Elliott

I am currently writing elegies / eulogies for the trees on the estate and will be reading these brand new, site specific poems on the night. Please join us…

Hogsmill Tiddlers

Hogsmill Tiddler

At the wooden bridge, beside

the washing-willow,

under frayed dare-devil

rope-swing, we small-fry gather;

splash-paddle in the sun-filled

slipstream, our expectant

jam jars perched ready on banks

for contents of day-glo

Hogsmill Tween

nets on bamboo poles,

skim-dunked, dipped into laughing

sparkle, we seek out elusive

piscine lurkers, shoal-darters,

minnow-school pretty-carpers,

spike-backed silver-bellied

sticklebacks, shimmer and shift

in ever-changing shallow-shadows.

We graft all afternoon, rewarded

by encounters with small wildness,

iridescent scale inspection

Kids at the third bridge, 6 Acre Meadow

through jars held up to the light.

A busy day meeting our fishy friends,

our neighbours of the water;

we send them back before barefoot-flapping,

wet and toasted, up the hill home.

 

Over the Fields poetry map

Hogsmill Tiddlers was originally published as one of the poems on my now sold-out Over the Fields map, back in September 2015. It has since been published in The Countryman magazine and is also used in teaching materials for the Open University’s MA in Creative Writing.

 

 

I have just pinned Hogsmill Tiddlers to another map, showing the location of the poem, on the Places of Poetry web site. This is an AHRC and Arts Council funded project which “aims to use creative writing to prompt reflection on national and cultural identities in England and Wales, celebrating the diversity, heritage

laughing sparke

and personalities of place.”

We still cross the bridge nearly every day on our walks ‘Over the Fields’. Five generations of Furlongs and counting…

Votes For Women! Annie Kenney and the 26 Armistice Project

Last year I was lucky enough to be part of a wonderful project by 26 and the Imperial War Museum: Armistice 100 Days. This ambitious project involved 100 writers each writing a centena – a specially created form of writing for the project – about someone who was alive during the First World War. Each of these centenas would then be published, one per day, for a 100 days leading up to the centenery of Armistice Day.

I chose Annie Kenney, the amazing working-class suffragette, and this is how I went about creating the centena:

Annie Kenney, Suffragette

Annie Kenney (1879-1953), in 1905, at  a Liberal Party rally at the Free Trade Hall in Manchester, stood on a chair and unfurled a banner on which was printed the legend ‘Votes for Women’. She had gone along with Christabel Pankhurst to try to get the question of suffrage for women heard, and ended up being arrested and put in Strangeways prison for three days. This was the start of the militant movement and the suffragettes.

Annie Kenney and Christabel Pankhurst

A mill worker from Oldham, Annie Kenney was the only working class woman to be part of the executive of the Women’s Social and Political Union (WSPU) and was instrumental in helping women to get the vote. In fact, by 1912 she was running the WSPU while Christabel Pankhurst had escaped arrest by fleeing to Paris, and was visiting her there weekly, as well as directing the organisation in London.

I read her autobiography, Memories of a Militant, which was published in 1924, and is sadly long out of print. What shines out of the pages of her book, is the clear voice of someone who knew exactly what she was doing and was fiercely intelligent. Her writing is passionate and energetic, showing a determined positivity, as well as great comedic flair and lyrical wit.

My intention was to create a centena that would give Annie Kenney her voice, using snatches of her book to do this, as respectfully as possible.  I needed to give it a structure, and to choose moments which would highlight Annie’s character and reflect the important part she played in the struggle for women’s suffrage.

The Kenney Papers held at the University of East Anglia added to the biographical information I had from Annie herself, and are a fascinating insight into the Kenney family.  I re-watched the film Suffragette, and saw the wonderful and recent BBC programme Suffragettes with Lucy Worsley where, amongst others, Annie Kenney was brought to life on the screen.

Millicent Fawcett’s book, Women’s Suffrage: A Short History of a Great Movement was a very useful and illuminating read on the roots of the suffragist movement, and her views on the militant movement.

Suffragettes were “like eels” is at odds with the image of the starving mouse in the Cat and Mouse Act. Of course the suffragettes were slippery customers, doing everything possible to escape capture, and- eels are very strong. This quote along with the defiant bravery of Kenney regarding prison and hunger strikes is here in the face of her many arrests, hunger strikes and force-feedings.

The start of the First World War in 1914 came at the height of the suffragette campaign, and saw the WSPU declare a ceasefire on all of their activism and a determination to do everything possible to contribute to the war effort. In 1918 Annie Kenney saw victory, with women over thirty gaining the vote. She retired from activism, married and had a child. But she was once a militant.

Here is the centena:

Lisa Andrews, me and Faye Sharpe at the IWM

I had the wonderful surprise of being invited to the Imperial War Museum, along with other members of 26 (see films of Lisa Andrews’s and Faye Sharpe’s centenas) and was inspired to dress as a suffragette for the day. It was great fun to go out with my green and purple VOTES FOR WOMEN rosette, and to be filmed in the museum’s beautiful peace garden on a very nosiy, hot and sunny day. It took many ‘takes’ to get the filming just right and the film crew were very patient and diligent.

The film above is the result of probably eighteen or so takes – I hope I did Annie some justice.  I am very grateful to have had this wonderful experience and many thanks to the 26 and IWM team!

I realised I hadn’t blogged about this when I was alerted to an interview with Liz Robertson from the Imperial War Museum, about the project, and in celebration of 26’s Armistice 100 Days book of the project winning a prestigious Drum Award.

Liz very kindly said that one of her personal highlights was: “Lucy Furlong performing her centena in full suffragette costume in the gardens outside the museum and shouting Votes for women!so loudly that it made the sound recordist jump…”

I am very proud that some relatives of Annie Kenney saw my centena and were delighted with it. A letter from Annie to her sister was discovered in September last year, a very important historical document – a letter to her sister sent from Strangeways Prison in 1905, which is now on display in the museum in Oldham. There is a new statue of Annie, unveiled in December 14th last year outside Oldham Town Hall to mark the centenary of the Representation of the People Act 1918, which gave some British women the right to vote.

Maxine Peake summed up Annie Kenney’s importance beautifully at the unveiling

There is so much more to say about Annie Kenney – I am glad to say that in my own research I discovered there is plenty of other research going on into her and her extraordinary family, as well as the suffragettes.

Thanks to Lisa for inviting me to be part of it! I am very glad to be a member of 26 and looking forward to the next project…

 

 

 

It is the Urban Tree Festival this weekend – celebrating London’s amazing Urban Forest. While we celebrate our wonderful leafy friends this weekend, I am also commemorating the significant number of trees that are being destroyed at an unprecedented rate at the moment in the Royal Borough of Kingston Upon Thames. This is not something I want to write about but I made a commitment to focus on climate change in my writing (most of my writing is about that anyway) and so I begin here… we must value and protect our trees! #climateemergency

Ancient Droves and the Tolworth Area Plan

A few days before our walk, another walk with my Dad and son, in the heatwave…
“The poetry of earth is never dead:

When all the birds are faint with the hot sun,

And hide in cooling trees, a voice will run

From hedge to hedge, about the new-mown mead;

That is the Grasshopper’s.”

On the Grasshopper and Cricket, John Keats

In the midst of the summer heatwave and haze, we had another Tolworth Treasure and the Hogsmill Hum walk in one of the most ancient and beautiful places at the heart of Tolworth.

Walking the droves

Well, we thought it would be blazing hot but in the end it was raincoats and brollies weather. A welcome respite from the sultry shimmer of the weeks preceding, and not so wet that we couldn’t wander gently, and stop for a poem or two. Proper British Summer Time drizzle. So, where is this special place in the heart of suburban Tolworth?

It is part of an ancient drove road, in the middle of Tolworth Court Farm Fields, hidden behind hedgerow on the A240. A beautiful wild, nature reserve, which until the 1980s had been farmed for a 1000 years at least, and is mentioned in the Domesday book.

The Ancient Drove on Tolworth Court Farm Fields

Drove roads were the network of roads used over the centuries to move live stock up and down and across the countryside, all over the UK. There are traces of them everywhere, and where the drove has disappeared in its original rural form, it may be identified by names, including ‘Lane’, ‘Drift’, ‘Ox’, ‘Way’ and many other lexical giveaways.

There are certainly lots of them in this area. On my Over the Fields poetry map is ‘Sheephouse Way’ – a road characterised for its large number of blocks of flats these days, but which is shown with the same name on maps which are 500 years old of the local area, and which I was lucky to see at the St John the Baptist Old Malden Heritage Day, when I was doing my research at the time.

Drove roads avoided toll roads, and were a direct and safe route through the countryside for the drovers who could be taking large flocks of sheep, herds of cattle, or even large numbers of geese or turkeys to market. The largest and most famous of these markets  being Smithfields Market in London.

Alison talking about drove roads

They were wide, as much as 20 metres, and usually hedged on both sides, containing the valuable stock, and also helping to keep the animals safe and stopping them from getting infected by other possibly diseased animals living in farms en route.

Elizabeth reading a poem in the heart of the ancient drove on Tolworth Court Farm Fields.
Blackberrying

How sweet I roamed from field to field

And tasted all the summer’s pride.

William Blake

Lots have been paved over, but there is a part of ancient drove in the fields in Tolworth which is grass underfoot, with its double hedge intact, and it is a magical place. And this is where we ended up reading poems, in the drizzle and the green, surrounded by hedges already heavy with blackberries and elderberries, interrupted only by an occasional enthusiastic dog plus owner, not used to seeing a large gathering of people reading and chatting in this in-between-space-between-places. Perfect.

I had hoped to sing John Barleycorn, as we were walking just after Lammas, but my voice was croaky, so I read the words to the old song instead. Alison read the John Clare poem Insects, and Elizabeth read a poem My Orcha’d in Lindèn Lea written by Dorset writer and poet William Barnes (1801-1886)

I also read some Keats and Blake and, not forgetting, some Richard Jefferies.

The beautiful corn dolly made by The Wheat Weaver

I had also brought with me a beautiful corn dolly, made by the Wheatweaver, but was worried about it getting damaged during the walk / weather, so I left it for our after-walk chat and write at Court Farm Cafe afterwards- it is exquisitely beautiful, and so good to know that someone is keeping these ancient skills alive.

With enclosure, modernisation, the rail network and then the roads, the droves fell into disuse, farming methods changed and the old songs, traditions and seasonal customs faded… it is good to remember we still rely on the land for food, and that the sun (especially this year!) and rain are still intrinsic to what we eventually put on our plates.

Although this land is no longer farmed, it is a nature reserve, with bats, rare butterflies, deer and beautiful wild flowers, including pepper saxifrage, as well as some of the oldest trees in the borough.

Alison talking about the fact that this is ONE very old Ash tree!

Alison, who has been walking this way for many years, as part of her job as an ecologist and bat expert, has a deep knowledge and passion for this place. I have learned a lot from her and am so glad we have been able to go on these walks together.

People who joined us for the walk, who didn’t already know and love Tolworth Court Farm Fields, were amazed at how easy it was to enter, and how beautiful and special it is.

“…The walk along the old drove road felt like being in the depths of the country and  I’ll try and walk the meadows when they are in flower next year…”

For me it is a jewel in the crown of Tolworth’s Treasures, alongside Six Acre Meadow, where Millais was inspired to paint his Ophelia, Tate Britian’s most popular painting.

 

 

Six Acre Meadow also falls within the Tolworth Area Plan – and today, the 16th September 2018, is the last day that you can have your say on what you think about it.

Click the link here for more information and to fill out the consultation form. Have your say!

 

(poetry quotes taken from Field Days – ideas for Investigations and Celebrations, Common Ground, ISBN 1 870 364 18 X)

Suffrage Stories: Save Mrs Pankhurst’s Statue

Woman and her Sphere

A planning application has been made to Westminster Council to dismantle this statue of Mrs Pankhurst – which stands as close as possible to the Houses of Parliament.

The plan is to banish this statue to the grounds of Regent’s University, a private university, in Regent’s Park. See the planning application here.

The group behind the application calls itself ‘The Pankhurst Trust’ but has no connection with the other Pankhurst Trust that is working to restore the Pankhursts’ home in Nelson Street, Manchester. Nor does it have any connection with the Pankhurst family. Rather, it is a mysterious group led by a former Conservative MP (for Ilford South), Sir Neil Thorne, whose wife, according to a newspaper report, was walking her dog through Victoria Tower Gardens when she encountered Mrs Pankhurst’s statue and, knowing nothing of its history, thought it might be better placed elsewhere.

This statue was funded by…

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