There is another soundwalk taking place on Saturday 19th October from 10.30am. It is FREE but please book via the Walk with Jane website. See Alison’s blog for a guest post about the walk from Alison Whybrow.
Alison Fure is leading a Soundwalk as part of her Walks with Jane project, in conjunction with The Museum of Walking, through the Cambridge Estate in Kingston Upon Thames, this Saturday evening, 7th September, 2019.
From the Museum of Walking website event page:
This Soundwalk will explore the wildlife and human ecology on this large estate with 230 trees.
We will listen to the web of life from replayed recordings of bird song, talking heads and listen to bats in real time (bat detection equipment provided).
This event is free but booking is essential – Call +44 (0) 7867507086
- 19.00 start – meeting place will be revealed on booking
- Walk with Jane listening to the sounds of a local community
- 20.00 listen to bats in real time (bat detection equipment provided)
- 20.30 finish
I am currently writing elegies / eulogies for the trees on the estate and will be reading these brand new, site specific poems on the night. Please join us…
Last year I was lucky enough to be part of a wonderful project by 26 and the Imperial War Museum: Armistice 100 Days. This ambitious project involved 100 writers each writing a centena – a specially created form of writing for the project – about someone who was alive during the First World War. Each of these centenas would then be published, one per day, for a 100 days leading up to the centenery of Armistice Day.
I chose Annie Kenney, the amazing working-class suffragette, and this is how I went about creating the centena:
Annie Kenney (1879-1953), in 1905, at a Liberal Party rally at the Free Trade Hall in Manchester, stood on a chair and unfurled a banner on which was printed the legend ‘Votes for Women’. She had gone along with Christabel Pankhurst to try to get the question of suffrage for women heard, and ended up being arrested and put in Strangeways prison for three days. This was the start of the militant movement and the suffragettes.
A mill worker from Oldham, Annie Kenney was the only working class woman to be part of the executive of the Women’s Social and Political Union (WSPU) and was instrumental in helping women to get the vote. In fact, by 1912 she was running the WSPU while Christabel Pankhurst had escaped arrest by fleeing to Paris, and was visiting her there weekly, as well as directing the organisation in London.
I read her autobiography, Memories of a Militant, which was published in 1924, and is sadly long out of print. What shines out of the pages of her book, is the clear voice of someone who knew exactly what she was doing and was fiercely intelligent. Her writing is passionate and energetic, showing a determined positivity, as well as great comedic flair and lyrical wit.
My intention was to create a centena that would give Annie Kenney her voice, using snatches of her book to do this, as respectfully as possible. I needed to give it a structure, and to choose moments which would highlight Annie’s character and reflect the important part she played in the struggle for women’s suffrage.
The Kenney Papers held at the University of East Anglia added to the biographical information I had from Annie herself, and are a fascinating insight into the Kenney family. I re-watched the film Suffragette, and saw the wonderful and recent BBC programme Suffragettes with Lucy Worsley where, amongst others, Annie Kenney was brought to life on the screen.
Millicent Fawcett’s book, Women’s Suffrage: A Short History of a Great Movement was a very useful and illuminating read on the roots of the suffragist movement, and her views on the militant movement.
Suffragettes were “like eels” is at odds with the image of the starving mouse in the Cat and Mouse Act. Of course the suffragettes were slippery customers, doing everything possible to escape capture, and- eels are very strong. This quote along with the defiant bravery of Kenney regarding prison and hunger strikes is here in the face of her many arrests, hunger strikes and force-feedings.
The start of the First World War in 1914 came at the height of the suffragette campaign, and saw the WSPU declare a ceasefire on all of their activism and a determination to do everything possible to contribute to the war effort. In 1918 Annie Kenney saw victory, with women over thirty gaining the vote. She retired from activism, married and had a child. But she was once a militant.
Here is the centena:
I had the wonderful surprise of being invited to the Imperial War Museum, along with other members of 26 (see films of Lisa Andrews’s and Faye Sharpe’s centenas) and was inspired to dress as a suffragette for the day. It was great fun to go out with my green and purple VOTES FOR WOMEN rosette, and to be filmed in the museum’s beautiful peace garden on a very nosiy, hot and sunny day. It took many ‘takes’ to get the filming just right and the film crew were very patient and diligent.
The film above is the result of probably eighteen or so takes – I hope I did Annie some justice. I am very grateful to have had this wonderful experience and many thanks to the 26 and IWM team!
I realised I hadn’t blogged about this when I was alerted to an interview with Liz Robertson from the Imperial War Museum, about the project, and in celebration of 26’s Armistice 100 Days book of the project winning a prestigious Drum Award.
Liz very kindly said that one of her personal highlights was: “Lucy Furlong performing her centena in full suffragette costume in the gardens outside the museum and shouting ‘Votes for women!’ so loudly that it made the sound recordist jump…”
I am very proud that some relatives of Annie Kenney saw my centena and were delighted with it. A letter from Annie to her sister was discovered in September last year, a very important historical document – a letter to her sister sent from Strangeways Prison in 1905, which is now on display in the museum in Oldham. There is a new statue of Annie, unveiled in December 14th last year outside Oldham Town Hall to mark the centenary of the Representation of the People Act 1918, which gave some British women the right to vote.
Maxine Peake summed up Annie Kenney’s importance beautifully at the unveiling
There is so much more to say about Annie Kenney – I am glad to say that in my own research I discovered there is plenty of other research going on into her and her extraordinary family, as well as the suffragettes.
Thanks to Lisa for inviting me to be part of it! I am very glad to be a member of 26 and looking forward to the next project…
“The poetry of earth is never dead:
When all the birds are faint with the hot sun,
And hide in cooling trees, a voice will run
From hedge to hedge, about the new-mown mead;
That is the Grasshopper’s.”
On the Grasshopper and Cricket, John Keats
In the midst of the summer heatwave and haze, we had another Tolworth Treasure and the Hogsmill Hum walk in one of the most ancient and beautiful places at the heart of Tolworth.
Well, we thought it would be blazing hot but in the end it was raincoats and brollies weather. A welcome respite from the sultry shimmer of the weeks preceding, and not so wet that we couldn’t wander gently, and stop for a poem or two. Proper British Summer Time drizzle. So, where is this special place in the heart of suburban Tolworth?
It is part of an ancient drove road, in the middle of Tolworth Court Farm Fields, hidden behind hedgerow on the A240. A beautiful wild, nature reserve, which until the 1980s had been farmed for a 1000 years at least, and is mentioned in the Domesday book.
Drove roads were the network of roads used over the centuries to move live stock up and down and across the countryside, all over the UK. There are traces of them everywhere, and where the drove has disappeared in its original rural form, it may be identified by names, including ‘Lane’, ‘Drift’, ‘Ox’, ‘Way’ and many other lexical giveaways.
There are certainly lots of them in this area. On my Over the Fields poetry map is ‘Sheephouse Way’ – a road characterised for its large number of blocks of flats these days, but which is shown with the same name on maps which are 500 years old of the local area, and which I was lucky to see at the St John the Baptist Old Malden Heritage Day, when I was doing my research at the time.
Drove roads avoided toll roads, and were a direct and safe route through the countryside for the drovers who could be taking large flocks of sheep, herds of cattle, or even large numbers of geese or turkeys to market. The largest and most famous of these markets being Smithfields Market in London.
They were wide, as much as 20 metres, and usually hedged on both sides, containing the valuable stock, and also helping to keep the animals safe and stopping them from getting infected by other possibly diseased animals living in farms en route.
How sweet I roamed from field to field
And tasted all the summer’s pride.
Lots have been paved over, but there is a part of ancient drove in the fields in Tolworth which is grass underfoot, with its double hedge intact, and it is a magical place. And this is where we ended up reading poems, in the drizzle and the green, surrounded by hedges already heavy with blackberries and elderberries, interrupted only by an occasional enthusiastic dog plus owner, not used to seeing a large gathering of people reading and chatting in this in-between-space-between-places. Perfect.
I had hoped to sing John Barleycorn, as we were walking just after Lammas, but my voice was croaky, so I read the words to the old song instead. Alison read the John Clare poem Insects, and Elizabeth read a poem My Orcha’d in Lindèn Lea written by Dorset writer and poet William Barnes (1801-1886)
I also read some Keats and Blake and, not forgetting, some Richard Jefferies.
I had also brought with me a beautiful corn dolly, made by the Wheatweaver, but was worried about it getting damaged during the walk / weather, so I left it for our after-walk chat and write at Court Farm Cafe afterwards- it is exquisitely beautiful, and so good to know that someone is keeping these ancient skills alive.
With enclosure, modernisation, the rail network and then the roads, the droves fell into disuse, farming methods changed and the old songs, traditions and seasonal customs faded… it is good to remember we still rely on the land for food, and that the sun (especially this year!) and rain are still intrinsic to what we eventually put on our plates.
Although this land is no longer farmed, it is a nature reserve, with bats, rare butterflies, deer and beautiful wild flowers, including pepper saxifrage, as well as some of the oldest trees in the borough.
Alison, who has been walking this way for many years, as part of her job as an ecologist and bat expert, has a deep knowledge and passion for this place. I have learned a lot from her and am so glad we have been able to go on these walks together.
People who joined us for the walk, who didn’t already know and love Tolworth Court Farm Fields, were amazed at how easy it was to enter, and how beautiful and special it is.
“…The walk along the old drove road felt like being in the depths of the country and I’ll try and walk the meadows when they are in flower next year…”
For me it is a jewel in the crown of Tolworth’s Treasures, alongside Six Acre Meadow, where Millais was inspired to paint his Ophelia, Tate Britian’s most popular painting.
(poetry quotes taken from Field Days – ideas for Investigations and Celebrations, Common Ground, ISBN 1 870 364 18 X)
The latest in our series of Tolworth Treasure and the Hogsmill Hum walks is a walk across Tolworth Court Farm Fields, our local nature reserve.
We will meet at the white bridge over the Hogsmill / Bonesgate Stream at 11am and take you on a journey through the ancient fields of Tolworth Court Farm, which date back to Domesday and beyond!
We will walk down the drovers’ road, and stop for a while to enjoy this beautiful space. If you would like to bring a poem or story to share about Tolworth or to celebrate the summer and the first harvest please do!
Accompanied children are welcome to this family-friendly walk.
Parents are responsible for supervising children throughout the walk and we recommend you bring water / sunscreen / a hat in case the weather is still scorching hot!
Please be aware that as we are hoping to show you as much wildlife as possible we can’t allow dogs on the walk.
Come and discover this gem of Tolworth Treasure
And it is FREE!
Trains: Tolworth Station and walk (approx 10 mins) 406 bus from Surbiton / Kingston / Epsom etc…bus stop nearby
Disclaimer: walks undertaken at participants’ own risk & responsibility. Please contact re. accessibility / mobility.
More info and contact via www.facebook.com/tolworthtreasure or email firstname.lastname@example.org / email@example.com
I am delighted to be performing a new collaboration with Susie Campbell at the opening of the Museum of Futures Visual Poetry exhibition, this Thursday, 22nd February. I am also thrilled to have a piece of work in the show. Last year Susie and I had great fun writing and performing a piece about soil, which you can see here. This year we have had a very synchronicitously splendid time creating a new piece, and are looking forward to performing it in a couple of days’ time.
The opening this year also combines with the Writers’ Centre Kingston ‘Making’ event, featuring three speakers: Stella Duffy, Ann Hulland and Diego Ferrari.
Do come- it’s free and last year was a fantastic event with great readings and lots of wonderful art / poetry to see on the walls!
Come and discover some of Tolworth’s ‘edgelands’ – find out what edgelands are and why they are important.
This is the second of our ‘Tolworth Treasure and the Hogsmill Hum’ walks of 2018. The walk takes places on Sunday 25th February from 11am-2pm.
We will meet outside the Hogsmill Pub (KT4 7PY) at 11am.
Be an Edgeland Navigator, and see what you discover!
Spot classic edgeland features including:
• Unexpected specialist plants-why are they growing there?
• Paths – are they human or animal?
• Dens- who do they belong to and what’s inside?
• Networks- there is a ‘world wide web’ besides the internet!
• What types of animals, birds and insects inhabit edgelands and why ?
There is a wealth of history around our route, including Tolworth Court Farm Moated Manor. We will be close to the site of Worcester Park House, which is no longer there but has its own fascinating history, stretching way back to the time of Henry VIII.
The walk will end at Court Farm Garden Centre Cafe- please join us for tea, chat and a chance to do some creative writing activities, if you would like to. The cafe sells a wide range of hot and cold food, snacks and drinks.
Accompanied children aged 10 and over are welcome, under adult supervision.
Stout footwear essential!
Disclaimer- all walks undertaken at the participants’ own risk and responsibility. Please contact for further information and regarding accessibility and mobility.