Today

nipperandmeUnusually for us, we have done glorious ‘nothing’ today, a bit of tidying up, read 50 pages of a book, played on the X Box, watched Minecraft  Youtube videos on the tablet, trampolined, walked to Marks and Spencers to buy bread, talked about swearing, blaspheming and the etymology of the word ‘crap’, cooked roast chicken, listened to all the carnival-related programmes on BBC 6 Music, had a dance off to Original Nuttah and Brown Paper Bag – “*THIS* is drum and bass” -snuggled up and watched Streetdance and ended up robot dancing…

laughed, counted our blessings, me and my son.

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Oh By Jingo

I can’t write about Bowie- there are many glorious essays, articles, outpourings, anecdotes, tributes and stories accumulating like gold dust in his wake… they are easy to find, and have been comforting I think for so many of us who feel bereft. I’ve just read this one by Chris Roberts in the Quietus this is interesting too…The Villa of Ormen…  It’s not too late to feel grateful to the Thin White Duke, even if he has returned to the stars. I have a renewed sense of ‘better do it now and better do it the way I want to do it’…and I am sure I am not the only one. What a legacy…. listen to this…Black Star by Elvis Presley- right to the end Bowie was impeccable with his art and his intentions…

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Sheer Zed’s Glossolalic Evocations

Sheer Zed’s Glossolalic Evocations

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One of the lovely things about this year has been meeting and working with some wonderful, talented people. Sheer Zed and I met on Twitter a few years back and so it was a major treat to finally meet him. Especially as the first time we met ‘IRL’ was at the Hesterglock Press launch of my pamphlet clew in April this year, and he was providing ambient soundtracks to my, Sarer Scotthorne and Paul Hawkins’s readings.

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He also sampled my reading of a long poem A Summoning, and turned it into a sweeping soundscape- one of my highlights of the year to have someone use my words in their music. We hope to work together at some point again in the future- which is a very happy-making thought!

This track is available as part of Sheer Zed’s new release Glossolalic Evocations, which is released today. More information on how to get it here.

I was very lucky to receive this as a gift from Sheer Zed and have been enjoying listening to it- it is mind-bending – body- moving – immersive electronic music in all the best possible ways, and is an utter pleasure to soak up. I recommend it.

Sheer Zed has described Glossolalic Evocations as:

“…engorged with various sonic elements such as Bristolized bass, noise, glossolalic utterances, recorded ambience, rugged mechanized beats and a garnish of just a slither of acid.

Here are my, in places, vaguely glossolalic responses to some of the tracks…


Hevvy hypnotic metallic phasing iconoclastic future beats pummelling drop dub sound of dead London stretched out time blip dance loops held in glistening spectral sheets of sonic dance macabre
Clockwork ticking cog turning melodic organic mechanic blocks of reverberating dissonant rhythmic spaces gripped by claws of cubic creaking dub bird swooping through pines surveying silence time breeze on and on and on on on on strike
Deep house depth charge techno funk > Lost in Brixton in the 90s, Derrick May, Carl Craig and dancing next to a tank draped in khaki camo for four quid when Brixton was still like that move your hands in robot blip shapes and no chill out shroom shaking space robot bez haunts loose lose losing your ..it
………………………………….1.27 drop and accumulate repetitive beats Load your quiver……………………..
…………………………………………………………………………………………………………………Watch the Skies. 3.36
Dark mornings in Bristol walking the cut captured by rust, decay trees. Disappearing tube train to the underworld. Pennies on eyes for the journey.
tell it like Stri ell of sulp hur un der a brid ke mat ches ge sul phur dr it is c o n j u r e a d e v i l hur str ike mat ches un der a brid aw a cir cle ge sm ell of sul phur und er a brid ge sm str ike mat ches sm ell of echo drip

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At the beginning of this year I was lucky enough to have a poem accepted for issue 3 of Boscombe Revolution, published by Hesterglock Press. I read said poem, and a few others, in Bristol, as part of the launch event, which was a fantastic evening of poetry, spoken word and fiction at the Duke of York pub in St. Werburghs.

This Saturday I am over the moon to be going back to the very same place to launch my debut poetry pamphlet, clew, which is also being published by Hesterglock Press. clew is named after the ball of thread Ariadne gave to Theseus to help him find his way out of the Labyrinth.

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I’ll be performing alongside Sarer Scotthorne, who recently published her first collection, The Blood House, and Paul Hawkins, who will be launching his collection, Contumacy, published by Erbacce. Adding to this will be music from Sheer Zed, Bristol-based electronic musician and artist, who will be providing ambient soundscapes for some of the poems. The event is part of the Bristol Spring Poetry Festival.

I feel very fortunate to have Hesterglock Press publishing my first collection of poetry. They have been wonderful to work with, and I am chuffed to bits with the finished result. For more info please visit the website.

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Surrey Steampunk Convivial IV -Utterly Bonkers Splendid!

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writing steampunk poems:

Recently I contacted Ben Henderson, who, along with his wife Tixia, organises the annual Surrey Steampunk Convivial, to see if I could offer my poetic services. He was very kind and accommodated my idea of having a steampunk poetry workshop as part of the event, which took place last weekend. I arrived bright and early on the day, to the Royal Oak pub in New Malden, the main venue for this weekend festival, along with the Christchurch Centre, conveniently across the road from the pub. The place was already buzzing with stalls selling various wonderful steampunk accoutrements in the shape of dragon-dwelling hats, goggles and spectacles, be-cogged and geared jewellery and vintage steampunk-style outfits.

There were already several steampunks milling about wearing fantastic garb, drinking tea, and settling in for the excitement to come. A few people dared to try out a writing exercises or two and below is my friend Anna’s rather marvellous poem, which captures the spirit of the Convivial perfectly:

 

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Anna Stickney’s poem:

I wandered lonely as a clockwork snail,

that clanks along o’er cranky planks,

when all at once I saw a crowd,

a host, of extravagant steampunks

beside the cakes, beneath the teapot,

duelling and posing at the Royal Oak.

 

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 loading the specially-built cannon for the ‘fling a familiar’ contest

The two days were a blur of familiar-flinging, snail-racing, tea-duelling, steampunk morris dancing, belly dancing, anamatronic steampunk R&B, snake-snuggling, beer drinking, corset-limbo, radio-play performing, superb steampunk dj soundtracks, shadow-puppet theatre, intellectual superciliousness slamming, storytelling, great live music and bands to dance to and many other bizarre, eccentric and hilarious-but-always so so stylish- steampunk occupations to keep everyone busy.

 

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‘Be Splendid’ is the motto of the steampunk, and indeed it was, and as well as all the fun and frivolity, the Convivial was marked by the friendliness, generosity, good humour and welcoming attitude of everyone there, especially to the newbies amongst us, of which I was one. But- no more a newbie- I am hoping to be back for more creative steampunk mayhem this August, when, due to its’ popularity, there will be a second Surrey Steampunk Convivial of 2015, where I hear rumours of marquees in the beer garden…and possibly flamingo croquet…?

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So please, grab your top hat, goggles, corset and kraken….and join in the fun!

More pics from the event below.

For more information head over to the Surrey Steampunk Convivial website here.

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Diggory mole makes it into the hat

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the purple platypus winner

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‘around the world in 8o days’ radio play

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serious dunking – click here for tea duelling rules

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tense atmosphere at the tea-duelling

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tea-duelling champion

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preparing to snail race

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umbrella duelling

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Herr Doktor’s Raygun

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me, trying to hold on to the super-speedy corn snake

 

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Ichabod Steam’s animatronic  Steampunk band

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 sword-wielding belly dancers!

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the winner of corset limbo shows how it’s done

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 Darren Gooding’s amazing storytelling

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shadow puppet theatre!

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audience participation invloved languishing and carrying a bagful of sky

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 intellectual superciliousness slam…nincompoops!

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 me reading some steampunk’d poems

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the marvellous Moth with Ben and Tixia

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Rhythm & Muse : It’s been Ekphrastic

Rhythm and Muse has its final evening of poetry and music tonight, at the Ram Jam club in Kingston Upon Thames. I am very sorry to miss it due to other long-standing plans but I will be thinking of them.

The Grey Horse pub, which the Ram Jam club is part of, is going to be under new ownership from January 2015, so this will be the last regular Rhythm and Muse event for a while. But it won’t be the end of R&M, and there may be festival specials and other goodies to look forward to- the advice is to check the website and facebook for updates.

If you can go tonight I would urge you to do so. Apart from the terrific lineup, including the inimitable LiTTLe MACHiNe, who Carol Ann Duffy declares are ‘The most brilliant music and poetry band I’ve seen in decades’ (see below), there will be plenty of festive cheer. If you are very lucky you may even get to witness the on-the-spot poetry of Nick Poole- once witnessed, never to be forgotten! Most of all, I can guarantee you will have lots of fun.

I found out about Rhythm and Muse while I was a student at Kingston University, and soon went along to experience the delights on offer. I found a dynamic mix of musical acts and excellent poets performing in a small, ram-jam packed venue. I have witnessed some great poetry at R&M, from the likes of Roger McGough, Martin Daws, Mario Petrucci, A F Harrold, Katrina Naomi and many many others – you can see the full list here.

One of the best things about R&M is its enthusiastic and loyal audience, who were also willing to listen to anyone who was brave enough to sign up  for an open mic spot. I’ve read my work many times, and benefitted from the friendly and supportive atmosphere. I took part in the legendary R&M Slam, writing a poem written especially for the occasion, which has become a staple of many of my readings since. The open mic at R&M in particular has been very important in helping me to gain confidence and find my voice as a poet, and I am very grateful for it.

I was at Rhythm and Muse’s night at The Rose Theatre, where I was lucky enough to see John Cooper Clarke, and, afterwards, to see my review of the show published and syndicated through the local press.

R&M’s longstanding relationship with Kingston University has seen them organise creative writing workshops at the Stanley Picker Gallery, of which I am fortunate enough to have attended a couple. One of these bore fruit in the form of a whole R&M night devoted to the poems and writings which were inspired by The Liquid Game, Boudicca’s incredible installation in the gallery, earlier this year.

Kingston Writing School has held events with R&M on campus, and many of my peers who studied creative writing at Kingston University have read their poems at Rhythm and Muse open mic, and students I have taught have carried on the tradition.

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A massive Congratulations to Alison Hill, Alice Thurling, Nick Poole, Judith Watts and everyone who has helped to make Rhythm and Muse such a success and such an important part of the creative life of us local poets and writers. It will be missed. Thank you!