The Moon Over Tolworth

Harvest Moon by Samuel Palmer (1905-1881)

In the mundane modern

semi-detached suburbs

slippers, gravel, teatime tables

GCSE revision

the Moon guides me home

welcomes me to this season

with its golden corona

moonflower harvest sky

 

The Moon ~O~

 

I speed down the A3 toward

Tolworth

Tower

follow the curve of the road

there it is again on the right

above the cleared MAFF site

behind the bowling alley

 

The Moon ~O~

 

The Moon is over the fields

Giving it the full Samuel Palmer

Richard Jefferies is walking out

late to see the moonlit silver

gold of the harvest under this

crystal studded Prussian blue sky

almost cold and glowing

 

The Moon ~O~

 

I want to stop the car and see the fields

in this Autumn moonlight

but life like a kite pulls me on

a different journey

I hope darkness prevails in the fields

so I can see them like this next year

 

Landscaping Change Conference at Bath Spa University

Photograph by Bill Mudge
Photograph by Bill Mudge

Next week I am taking my Over the Fields poetry map to the Landscaping Change conference at Bath Spa University:

“Exploring the transformation, reconstitution and disruption of environments through the arts and humanities and social science.”

I will be talking about why I decided to make a map about this small strip of greenbelt on the boundaries between several places, on the edge of Greater London. I will also speak about the process for doing it and how the poems took shape.

We have continued to walk Over the Fields since the map was published, and I have carried on documenting our walks with writing and photos, with the aim of sustaining and extending my, and my family’s relationship with this place, and finding out what it means to other people too.

I am very excited to have the opportunity to engage with the themes of this conference and to take part in the important  and timely conversation that the conference will engender.

More about the conference here.

20 in 15 – The Lives of Artists by Bill Mudge

photograph by Bill Mudge
photograph by Bill Mudge

A lovely and unexpected thing that happened as part of making my Over the Fields poetry map, was that I was asked to be part of photographer Bill Mudge‘s project 20 in 15: The Lives of Artists. He spent last year photographing artists at work, documenting their creative processes and working environments.

Of the project Bill says: “20 in 15 encapsulates the significance of the creative arts in our communities, giving a unique insight into the lives of creative people and what it takes to make a living from the creative process; from finding studio space to exhibiting, educating and selling work…” Please visit the website for more information and to see who else took part – all types of artists from ceramicists to composers to puppeteers!

At the point where the new map was coming together, I met Bill one hot September day, at St John the Baptist church in Old Malden, an important location on the map. He took photos of me walking through the fields, as I checked all the locations and details on the map were correct, a kind of ‘proofing-in-situ’.

photograph by Bill Mudge
photograph by Bill Mudge

Then he came with me to meet Mel, who is the genius behind the artwork and production of Over the Fields, and took photos of us working together on the final edits and proofing of the map before it went to print. It was a pleasure meeting and working with Bill; it added another perspective to my own project, allowing me to reflect on my creative processes and the environment(s) I work in, as a poet/writer/walking artist.

photograph by Bill Mudge
photograph by Bill Mudge

I am very grateful to him for being so generous with his work and allowing me to use the beautiful photographs he took, a couple of which are here, and on my web site.

You can see Bill’s 20 in 15 : The Lives of Artists at the Mine Gallery in Carshalton Village from March 5th – March 27th. Bill has also run a successful Kickstarter campaign to publish a beautiful book of the project. If you would like be at the private view of the show the last few Private View Rewards are available for snapping up. It will be a great evening and I can’t wait to see the book!

 

Back Soon…Time Flies

?

This may the least amount of blogging I’ve done in the last nearly ten years… it’s been an eventful and exciting year so far. Very busy creatively- and professionally- in fact the two are combining nicely- which was always the plan- with all kinds of stuff happening, happened, and with a bit of luck and a following wind, going to happen…

So this is a holding post to say I will be posting here again on a more regular basis, with all kinds of news of the soon-to-be-published Over The Fields map, plus an update on what I’ve been up to over the last few months (mainly to remind myself and gather my thoughts as we head towards Lammas), and also to write about other stuff that will be happening this Autumn…

In the meantime- here I am at the Carshalton Time Machine…more now, and then, soon…

 

Over The Fields Poetry Map: It’s Coming…

mymanor

 

 

 

 

 

 

 

The new poetry map I have been working on for the last 18 months is on its way to being published…there are still final bits and bobs of writing to do, photos to select and final edits but the art work is taking shape. I am very excited about this as it is highly personal – a map of Furlong territory, especially my Dad’s, and his brothers’ and sisters’ – their ‘second home.’ It continues to amaze me, how much this small piece of land contains in terms of stories, nature and deep history. I cannot possibly cram all the writing and poems, pictures and information I have gathered and created, and am continuing to amass on to two sides of A2 map…maybe this will become something else in the future…

my manor 2

 

 

 

 

 

 

 

 

 

 

 

 

More news and updates on this as it continues to materialise into something tangible. For now, the photos above are of where I lay the other afternoon, listening to many different birds singing, bees buzzing, watching fronds and flowers swaying in the breeze… a ten minute walk from the white noise of the A3 in one direction, and the train to Waterloo in the other.

This is the sound of the suburbs.

Never Pounce on a Porcupine #Imbolc #NatureWords

???????????????????????????????“Never pounce on a porcupine!” was my son’s conversation opener this morning- wise advice, nice use of alliteration- and the perfect way to start this post, my first of 2015.

The word alliteration has been added to the latest edition of the Oxford Junior Dictionary- however porcupine has been removed. Can you pounce on ‘a rodent with a coat of sharp spines, or quills’? Probably- although you would be foolish to do so- and the alliteration does not exist without the word porcupine. How much meaning is being lost in removing this one word, which tells us, rather delightfully,  all we need to know about this creature? The same goes for the word piglet – it is no longer in the Oxford Junior Dictionary- it has been removed. Where would Winnie the Pooh be without Piglet? Piglet’s favourite food is acorns– or as he refers to them, “haycorns” – another word which has been deemed irrelevant to children’s vocabulary in the 21st century. Alliteratively (and poetically): Pink Piglet- yes…Pink Baby Pig- No….

Acorn comes from the Middle English- it is a very old word which we have been using for hundreds of years- but will children now refer to acorns as ‘fruit of an oak, consisting of a single-seeded, thick-walled nut set in a woody, cuplike base’? No- because, according to the Oxford University Press, who publish the Oxford Junior Dictionary, these words have been removed to make way for words which are more suitable and relevant to the indoor and technology-focused lifestyles of children now.
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primrose is another word to have gone from the OJD

This erasure of nature-based words from the Oxford Junior Dictionary is not a new situation- but has received more press coverage again recently. Religious and magical words (bishop, goblin, elf, sin) removed in 2007, have been added to with words such as catkin and even conker, in the 2012 edition. Words that in my opinion are still intrinsic to childhood itself, and to our relationship, education about, and understanding of the natural world around us.

The Guardian ran a piece on this in January, and many writers including Margaret Atwood and Michael Morpurgo have written to the OUP regarding this worrying state of affairs.

As a poet and a writer who writes about place, and as a mother of a seven year old, I felt determined to do something to raise awareness about this but until this weekend I wasn’t sure what that would be.

But…this weekend I went to Glastonbury to meet up with dear friends and celebrate Imbolc with them, also known as Brigid. Brigid or Bridie is the Goddess of Inspiration, Blacksmiths, Fire and also Poetry. This is a celebration of the First Stirrings- where the begins of growth are apparent: in snowdrops, the first lambing, and green shorts daring to peek out in the freezing weather.DSC02656

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After the celebration at the White Spring, we came out into the bright, watery-sun morning and gathered in a circle across Well House Lane, between the White Spring and the Red Spring at Chalice Well. There was an open invitation for people to share their thoughts, inspiration, songs and poetry. This is an event I always try to get to, as it is a great way to begin the year proper, and is a joyful meeting of like minds and community, in the best place to be.

DSC02647 DSC02650

 

 

 

 

 

 

 

Some amazing poetry was performed and read, a wonderful guided visualisation was offered, inspirational stories were told, and the ever-joyful Hemp man was there to impress the gathered throng with the benefits of hemp consumption and production.

I had chosen two poems to read, and thought I had neatly folded them into my bag, but on arrival realised I had left them behind. I was disappointed for a moment but instead I found the printed list list of nature words which have been removed from the Oxford Junior Dictionary lurking unexpectedly in my rucksack. It was after Lisa Goodwin performed her fantastic poem, which included the repeated line What would Bridie Do? that I knew I had to do it.

She asked if anyone else would like to contribute and I stepped into the circle and explained that the Oxford Junior Dictionary had removed a significant amount of nature words, and that as this was a day for poets, language and inspiration, that this seemed the right place to say some of them, and would everyone repeat them as I spoke them?

Here are all of the words, with the ones I remember saying, shouting even, highlighted.

adder, ass, beaver, boar, budgerigar, bullock, cheetah, colt, corgi, cygnet, doe, drake, ferret, gerbil, goldfish, guinea pig, hamster, heron, herring, kingfisher, lark, leopard, lobster, magpie, minnow, mussel, newt, otter, ox,oyster, panther, pelican, piglet, plaice, poodle, porcupine, porpoise, raven, spaniel, starling, stoat, stork, terrapin, thrush, weasel, wren. Acorn, allotment, almond, apricot, ash, bacon, beech, beetroot, blackberry, blacksmith, bloom, bluebell, bramble, bran,bray, bridle, brook, buttercup, canary, canter, carnation, catkin, cauliflower, chestnut, clover, conker, county, cowslip,crocus, dandelion, diesel, fern, fungus, gooseberry, gorse, hazel, hazelnut, heather, holly, horse chestnut, ivy, lavender,leek, liquorice, manger, marzipan, melon, minnow, mint, nectar, nectarine, oats, pansy, parsnip, pasture, poppy, porridge, poultry, primrose, prune, radish, rhubarb, sheaf, spinach, sycamore, tulip, turnip, vine, violet, walnut, willow
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crocus- omitted from the OJD
I picked them out randomly, and in the moment but as I stood there and said them myself, and heard them come back at me, with the audible surprise and indignation in some people’s voices, I realised the power and meaning attached to these words, especially to people who feel spiritually connected to nature, to the earth, to the turning year, to the seasons….
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 I am very glad I did it, and afterwards, as we walked through the side gate into Chalice Well, and headed towards the warmth of the fire, and cups of coffee and ample blocks of delicious banana cake, a few people approached me to talk about it. So if a few more people know about this then these words will be fought for more fervently, as they should be.
  DSC03193  DSC03172
This is how we communicate our connection to nature, as well as claim our heritage and our traditions. For example think about what the word ‘conker’ conjures in you….
DSC03606
the words won’t die because they aren’t included in one children’s dictionary- but it is symbolic and symptomatic of the disconnection with nature that is not only happening but also apparently being accepted as ‘normal’ in many sections of society. George Monbiot wrote a great piece in The Guardian about children losing their connection to nature and the future implications of this, which is worth reading.
After my nature-word incanting at the weekend my aim is to explore some of these words with my son this year and post the results on here from time to time.
I hope that OUP reconsider their decision and send out a positive message by putting these words back into the next edition of their junior dictionary. For updates on the campaign to bring the words back, this is the place to go: http://www.naturemusicpoetry.com/campaigns.html
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To finish up, and as something to consider…here are some of the words that have taken the place of the words above…what do they mean to you?
Blog, broadband, MP3 player, voicemail, attachment, database, export, chatroom, bullet point, cut and
paste, analogue Celebrity, tolerant, vandalism, negotiate, interdependent, creep, citizenship, childhood, conflict, common sense, debate,EU, drought, brainy, boisterous, cautionary tale, bilingual, bungee jumping, committee, compulsory, cope, democratic, allergic, biodegradable, emotion, dyslexic, donate,
endangered, Euro Apparatus, food chain, incisor, square number, trapezium, alliteration, colloquial, idiom, curriculum,
classify, chronological, block graph

 

 

 

Westhafen #Poetry

On the last day of our latest visit to Berlin we changed trains at U-bahn Westhafen and discovered this visual feast. Artists Françoise Schein and Barbara Reiter re-designed the station in 2000, using the 1948 text of the Universal Declaration of Human Rights,  juxtaposed with quotes from Heinrich Heine in German and French. For more  information on the artwork and the project click here.

One more reason to love Berlin.

 

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